Scenes From Provincial Life - J. M. Coetzee [213]
Then when she brought him home and he laid eyes on me, I can see he might change his mind and decide to make me his true love instead. I am not claiming I was a great beauty, and of course I was not young any more, but Maria Regina and I were the same type: same bones, same hair, same dark eyes. And it is more practical – is it not? – to love a woman than to love a child. More practical, less dangerous.
What did he want from me, from a woman who did not respond to him and gave him no encouragement? Did he hope to sleep with me? What pleasure can there be for a man in sleeping with a woman who does not want him? Because, truly, I did not want this man, for whom I had not the slightest flicker of feeling. And what would it have been like anyway if I had taken up with my daughter’s teacher? Could I have kept it secret? Certainly not from Maria Regina. I would have brought shame on myself before my children. Even when I was alone with him I would have been thinking, It is not me he desires, it is Maria Regina, who is young and beautiful but is forbidden to him.
But perhaps what he really wanted was both of us, Maria Regina and me, mother and daughter – perhaps that was his fantasy, I can’t say, I can’t look into his mind.
I remember, in the days when I was a student, existentialism was the fashion, we all had to be existentialists. But to be accepted as an existentialist you had first to prove you were a libertine, an extremist. Obey no restraints! Be free! – that was what we were told. But how can I be free, I asked myself, if I am obeying someone else’s order to be free?
Coetzee was like that, I think. He had made up his mind to be an existentialist and a romantic and a libertine. The trouble was, it did not come from inside him, therefore he did not know how. Freedom, sensuality, erotic love – it was all just an idea in his head, not an urge rooted in his body. He had no gift for it. He was not a sensual being. And anyway, I suspect he secretly liked it when a woman was cold and distant. You say you decided not to read his last letter. Do you ever regret that decision?
Why? Why should I regret it?
Because Coetzee was a writer, who knew how to use words. What if the letter you did not read contained words that would have moved you or even changed your feelings about him?
Mr Vincent, in your eyes John Coetzee is a great writer and a hero, I accept that, why else would you be here, why else would you be writing this book? To me, on the other hand – pardon me for saying this, but he is dead, so I cannot hurt his feelings – to me he is nothing. He is nothing, was nothing, just an irritation, an embarrassment. He was nothing and his words were nothing. I can see you are cross because I make him look like a fool. Nevertheless, to me he really was a fool.
As for his letters, writing letters to a woman does not prove you love her. This man was not in love with me, he was in love with some idea of me, some fantasy of a Latin mistress that he made up in his own mind. I wish, instead of me, he had found some other writer, some other fantasist, to fall in love with. Then the two of them could have been happy, making love all day to their ideas of each other.
You think I am cruel when I talk like this, but I am not, I am just a practical person. When my daughter’s language teacher, a complete stranger, sends me letters full of his ideas about this and his ideas about that, about music and chemistry and philosophy and angels and gods and I don’t know what else, page after page, poems too, I don’t read it and memorize it for future generations, all I want to know is one simple, practical thing, which is, What is going on between this man and my daughter who is only a child? Because – forgive me for saying this – beneath all the fine words what a man wants from a woman is usually very basic and very simple.
You say there were poems too?
I did not understand them. Maria Regina was the one who liked poetry. You recall nothing about them?
They were