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Screwtape Letters - C. S. Lewis [35]

By Root 389 0
’s sense of the ridiculous,

Your affectionate uncle

SCREWTAPE

27


My dear Wormwood,

You seem to be doing very little good at present. The use of his ‘love’ to distract his mind from the Enemy is, of course, obvious, but you reveal what poor use you are making of it when you say that the whole question of distraction and the wandering mind has now become one of the chief subjects of his prayers. That means you have largely failed. When this, or any other distraction, crosses his mind you ought to encourage him to thrust it away by sheer will power and to try to continue the normal prayer as if nothing had happened; once he accepts the distraction as his present problem and lays that before the Enemy and makes it the main theme of his prayers and his endeavours, then, so far from doing good, you have done harm. Anything, even a sin, which has the total effect of moving him close up to the Enemy, makes against us in the long run.

A promising line is the following. Now that he is in love, a new idea of earthly happiness has arisen in his mind: and hence a new urgency in his purely petitionary prayers—about this war and other such matters. Now is the time for raising intellectual difficulties about prayer of that sort. False spirituality is always to be encouraged. On the seemingly pious ground that ‘praise and communion with God is the true prayer’, humans can often be lured into direct disobedience to the Enemy who (in His usual flat, commonplace, uninteresting way) has definitely told them to pray for their daily bread and the recovery of their sick. You will, of course, conceal from him the fact that the prayer for daily bread, interpreted in a ‘spiritual sense’, is really just as crudely petitionary as it is in any other sense.

But since your patient has contracted the terrible habit of obedience, he will probably continue such ‘crude’ prayers whatever you do. But you can worry him with the haunting suspicion that the practice is absurd and can have no objective result. Don’t forget to use the ‘heads I win, tails you lose’ argument. If the thing he prays for doesn’t happen, then that is one more proof that petitionary prayers don’t work; if it does happen, he will, of course, be able to see some of the physical causes which led up to it, and ‘therefore it would have happened anyway’, and thus a granted prayer becomes just as good a proof as a denied one that prayers are ineffective.

You, being a spirit, will find it difficult to understand how he gets into this confusion. But you must remember that he takes Time for an ultimate reality. He supposes that the Enemy, like himself, sees some things as present, remembers others as past, and anticipates others as future; or even if he believes that the Enemy does not see things that way, yet, in his heart of hearts, he regards this as a peculiarity of the Enemy’s mode of perception—he doesn’t really think (though he would say he did) that things as the Enemy sees them are things as they are! If you tried to explain to him that men’s prayers today are one of the innumerable co-ordinates with which the Enemy harmonises the weather of tomorrow, he would reply that then the Enemy always knew men were going to make those prayers and, if so, they did not pray freely but were predestined to do so. And he would add that the weather on a given day can be traced back through its causes to the original creation of matter itself—so that the whole thing, both on the human and on the material side, is given ‘from the word go’. What he ought to say, of course, is obvious to us; that the problem of adapting the particular weather to the particular prayers is merely the appearance, at two points in his temporal mode of perception, of the total problem of adapting the whole spiritual universe to the whole corporeal universe; that creation in its entirety operates at every point of space and time, or rather that their kind of consciousness forces them to encounter the whole, self-consistent creative act as a series of successive events. Why that creative act leaves room for

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