Search the Dark - Charles Todd [6]
Rutledge found himself wishing he could ask a painter like Catherine Tarrant if she saw light in the same way, or if it was only his undependable imagination.
He came into the town of Singleton Magna almost before he knew it was there, the abrupt shift from fields to houses almost as sharp as a line drawn in the earth. The railroad’s tracks parted company with him and ran on to the station.
Slowing as he motored down the main street, with its shops still doing a brisk business and farm carts pulled up at the curbs, he searched for the local police station.
It was no more than a cubbyhole next to the town’s one bank, a small offshoot of the main building that must at one time have been a shop. The front window had been painted white with the letters POLICE in black, and the heavy green door was nicked by time and hard use, its iron handle worn with age. The bank it adjoined was more majestic, with a handsome porch above its door, as if it too had begun life as something else, a merchant’s house or a church office.
After finding a place to leave his car and stepping out into the warmth of the afternoon, he saw a tall, stooped man of middle age just coming out of the green door. The man looked at him, frowned, and came over to speak. “Are you Inspector Rutledge, by any chance?”
“Yes, I’m Rutledge.”
The man held out a long-fingered hand. “Marcus Johnston. I’m representing that poor devil Mowbray. Nasty business. Nasty. And he’s not saying a word, not even to me. God knows what kind of case I can build for him. My advice at the moment is to throw himself on the mercy of the courts.”
Rutledge, whose father had followed the law, said only, “I don’t know a great deal about the man or his crime, except for the scant information the local people sent up to the Yard. He was searching the town for his wife, I understand? And her body has been found, but not the others he was after.”
“That’s right. The police have done their best, they’ve covered the ground hereabouts for miles in every direction. No bodies. No graves. More important, no one inquiring about her. No distraught husband and sobbing children, I mean.” He sighed. “Which leads to the conclusion that they’re dead. And all Mowbray will say to me is that they were his children, why should he want to kill them?” A woman passed and Johnston tipped his hat to her. She nodded and then eyed Rutledge with curiosity as she walked on.
“I did some checking before I left London. I’m told Mowbray was in France in 1916 when the bombing occurred. He was sent home on compassionate leave to bury his wife and children. They were identified by the constable when they were pulled from the rubble of the building. Mother and two children, dead. Mowbray himself never saw the bodies; he was told it was better to remember them as they were.”
“Inspector Hildebrand believes there must have been a mistake of some sort—the constable felt fairly certain the bodies were Mowbray’s wife and children, but they could have been another family altogether. The bombing demolished one building, as I understand it, and that brought down those on either side. Fifty or more dead. Easy mistake for the constable to have made—especially at night, fires, injured people everywhere. Absolute horror and chaos.” Johnston grimaced. “Bombs and tons of masonry don’t leave much to look at, I don’t suppose.”
“If it had been another family who died in the raid, why hasn’t someone come looking for them? Parents? Sisters? Husband home on leave? Seems odd no one did, and discovered the mix-up.”
“God knows,” Johnston answered tiredly. “My guess is, there was nobody to care about the dead woman—and Mowbray’s wife probably took advantage of that to start a new life. Makes sense, especially if