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By Root 967 0

a little. She was wearing a floral print dress and a single strand of pearls. Her hair seemed dark blond or a light brown, the way the sun caught it. Her face was oval and pretty, with fine bones and a distinct look of breeding handed down from some remote ancestor. The children by her side were a little clearer. The boy was no more than two, wearing a sailor suit and a hat that had fallen to a rakish angle over one eye. He grinned, squinting, while his hands clutched a ball nearly as large as he was. The little girl, not as childishly plump, had the same fairness as the mother. She could have been a large four or a small five, judging from the shy smile that showed all of her front baby teeth quite clearly. Her hand clutched her mother’s skirts, and her head was tilted in a way that promised a sweet nature rather than a rowdy one as she peered up through her lashes with no hint of roguishness.

When Rutledge had scanned the faces, he saw that the file also included official copies from London of a marriage license in the name of Mary Sandra Marsh and Albert Arthur Mowbray, a pair of birth certificates for the children, and the death certificates for all three. Signed in a scrawl by a London doctor. “Severe injuries from falling debris” they all read, and the autopsy had gone on to catalog them.

“Sad business,” Hildebrand said after a moment. “Young woman with a husband over in France. Lonely. Probably told the poor devil she took up with that he was dead. Well, it wasn’t altogether a lie, was it? So many of them did die. Only not her husband. He lived to come home, didn’t he? Must have been one of her worst nightmares, the chance of running into him some day! And as luck would have it, he goes from London to the coast in search of work, and there she is, standing in the station at Singleton Magna. Plain as day!”

“You think she saw him? Leaning out the train window?” Rutledge asked, reading down the statements of a conductor and several witnesses, one of them a farmer’s wife and her sister, the other two stokers returning to their ship.

“Stands to reason, I’d say. Explains why the four of ’em left town in such haste. Not a glimpse of them anywhere! One or two possible sightings of her at the station, probably before Mowbray spied her. After that, she was covering her tracks for dear life. I asked around myself, didn’t leave that to my men.”

“Very proper,” Rutledge said absently, rereading one of the statements. “Still, we have only Mowbray’s word that this was his wife and family.”

“As to that, I checked with London,” Hildebrand said with satisfaction. “There were quite a few casualties the night Mrs. Mowbray’s street was bombed. Constable Tedley identified her and the children. They were in the stairwell of the block of flats where she lived. And she didn’t show up later to prove him wrong, did she? And no one came round looking for someone who should have been alive, did they? Straightforward, as far as London was concerned.”

Rutledge nodded and handed the statements back to Hildebrand. Then he asked, “How did Mowbray catch up to her later? Has he told you?”

“Man’s in no case to talk. Deep depression, according to the doctor. Just sits there, staring at the floor, face drained of emotion. Stands to reason,” he said again, as if he used the expression often. “Wife died twice, didn’t she? Once when he was told she’d been killed by the Zeppelins and now by his own hand. Shock. That’s what it is. I daresay any of us would feel much the same. Not that it explains or excuses, of course. But you can see how it would happen.”

Shock. It was something Rutledge understood very well In a different voice he asked, “What weapon did he use?”

“Now that’s an interesting question. Blunt force to batter her face in, which means anything from a heavy stone to a tool of some sort. We examined the tools Mowbray had with him. Hammers, screwdrivers, a pair of saws, a level, that sort of thing. No blood or hair on any of them. Which says to me he got rid of whatever it was. I’d guess it’s where he left the other corpses.”

“And the wounds?