Selections from the Speeches and Writings of Edmund Burke [160]
of the deposed king of France and his ministers was gone, if the latter did not premeditately betray him. He was just come from his usual amusement of hunting, when the head of the column of treason and assassination was arrived at his house. Let not the king, let not the prince of Wales, be surprised in this manner. Let not both houses of parliament be led in triumph along with him, and have law dictated to them by the constitutional, the revolution, and the Unitarian societies. These insect reptiles, whilst they go on only caballing and toasting, only fill us with disgust; if they get above their natural size, and increase the quantity, whilst they keep the quality, of their venom, they become objects of the greatest terror. A spider in his natural size is only a spider, ugly and loathsome; and his flimsy net is only fit for catching flies. But, good God! suppose a spider as large as an ox, and that he spread cables about us, all the wilds of Africa would not produce anything so dreadful--
"Quale portentum neque militaris Daunia in latis alit esculetis, Nec Jubae tellus generat leonum Arida nutrix."
Think of them, who dare menace in the way they do in their present state, what would they do if they had power commensurate to their malice. God forbid I ever should have a despotic master; but if I must, my choice is made. I will have Louis XVI. rather than Monsieur Bailly, or Brissot, or Chabot; rather George III., or George IV., than Dr. Priestley or Dr. Kippis, persons who would not load a tyrannous power by the poisoned taunts of a vulgar, low-bred insolence. I hope we have still spirit enough to keep us from the one or the other. The contumelies of tyranny are the worst parts of it.
MAGNITUDE IN BUILDING.
To the sublime in building, greatness of dimension seems requisite; for on a few parts, and those small, the imagination cannot rise to any idea of infinity. No greatness in the manner can effectually compensate for the want of proper dimensions. There is no danger of drawing men into extravagant designs by this rule; it carries its own caution along with it. Because too great a length in buildings destroys the purpose of greatness, which it was intended to promote; the perspective will lessen it in height as it gains in length, and will bring it at last to a point; turning the whole figure into a sort of triangle, the poorest in its effect of almost any figure that can be presented to the eye. I have ever observed, that colonnades and avenues of trees of a moderate length were, without comparison, far grander than when they were suffered to run to immense distances. A true artist should put a generous deceit on the spectators, and effect the noblest designs by easy methods. Designs that are vast only by their dimensions, are always the sign of a common and low imagination. No work of art can be great, but as it deceives; to be otherwise is the prerogative of nature only. A good eye will fix the medium betwixt an excessive length or height (for the same objection lies against both), and a short or broken quantity: and perhaps it might be ascertained to a tolerable degree of exactness, if it was my purpose to descend far into the particulars of any art.
SOCIETY AND SOLITUDE.
The second branch of the social passions is that which administers to SOCIETY IN GENERAL. With regard to this, I observe, that society, merely as society, without any particular heightenings, gives us no positive pleasure in the enjoyment; but absolute and entire SOLITUDE, that is, the total and perpetual exclusion from all society, is as great a positive pain as can almost be conceived. Therefore in the balance between the pleasure of general SOCIETY, and the pain of absolute solitude, PAIN is the predominant idea. But the pleasure of any particular social enjoyment outweighs very considerably the uneasiness caused by the want of that particular enjoyment; so that the strongest sensations relative to the habitudes of PARTICULAR SOCIETY are sensations of pleasure. Good company, lively conversations, and the
"Quale portentum neque militaris Daunia in latis alit esculetis, Nec Jubae tellus generat leonum Arida nutrix."
Think of them, who dare menace in the way they do in their present state, what would they do if they had power commensurate to their malice. God forbid I ever should have a despotic master; but if I must, my choice is made. I will have Louis XVI. rather than Monsieur Bailly, or Brissot, or Chabot; rather George III., or George IV., than Dr. Priestley or Dr. Kippis, persons who would not load a tyrannous power by the poisoned taunts of a vulgar, low-bred insolence. I hope we have still spirit enough to keep us from the one or the other. The contumelies of tyranny are the worst parts of it.
MAGNITUDE IN BUILDING.
To the sublime in building, greatness of dimension seems requisite; for on a few parts, and those small, the imagination cannot rise to any idea of infinity. No greatness in the manner can effectually compensate for the want of proper dimensions. There is no danger of drawing men into extravagant designs by this rule; it carries its own caution along with it. Because too great a length in buildings destroys the purpose of greatness, which it was intended to promote; the perspective will lessen it in height as it gains in length, and will bring it at last to a point; turning the whole figure into a sort of triangle, the poorest in its effect of almost any figure that can be presented to the eye. I have ever observed, that colonnades and avenues of trees of a moderate length were, without comparison, far grander than when they were suffered to run to immense distances. A true artist should put a generous deceit on the spectators, and effect the noblest designs by easy methods. Designs that are vast only by their dimensions, are always the sign of a common and low imagination. No work of art can be great, but as it deceives; to be otherwise is the prerogative of nature only. A good eye will fix the medium betwixt an excessive length or height (for the same objection lies against both), and a short or broken quantity: and perhaps it might be ascertained to a tolerable degree of exactness, if it was my purpose to descend far into the particulars of any art.
SOCIETY AND SOLITUDE.
The second branch of the social passions is that which administers to SOCIETY IN GENERAL. With regard to this, I observe, that society, merely as society, without any particular heightenings, gives us no positive pleasure in the enjoyment; but absolute and entire SOLITUDE, that is, the total and perpetual exclusion from all society, is as great a positive pain as can almost be conceived. Therefore in the balance between the pleasure of general SOCIETY, and the pain of absolute solitude, PAIN is the predominant idea. But the pleasure of any particular social enjoyment outweighs very considerably the uneasiness caused by the want of that particular enjoyment; so that the strongest sensations relative to the habitudes of PARTICULAR SOCIETY are sensations of pleasure. Good company, lively conversations, and the