Selections from the Speeches and Writings of Edmund Burke [2]
and art. Again, if we may linger for a moment in the attractive region of classical authorship, how justly applicable are the words of Cicero in his "De Oratore," to the vastness and variety of Burke's attainments! "Ac mea quidem sententia, nemo poterit esse omni laude cumulatus orator, nisi erit OMNIUM RERUM MAGNARUM ATQUE ARTIUM SCIENTIAM CONSECUTUS."--Cic. "De Orat." lib. i. cap. 6. Equally descriptive of Burke's power in raising the dormant sensibilities of our moral nature by his intuitive perception of what that nature really and fundamentally is, are the following expressions of the same great authority:--"Quis enim nescit, maximam vim existere oratoris, in hominum mentibus vel ad iram aut ad odium, aut dolorem incitandis, vel, ab hisce, iisdem permonitionibus, ad lenitatem misericordiamque revocandis? Quare, NISI QUI NATURAS HOMINUM, VIMQUE OMNEM HUMANITATIS, CAUSASQUE EAS QUIBUS MENTES AUT EXCITANTUR, AUT REFLECTUNTUR, PENITUS PERSPEXERIT, DICENDO, QUOD VOLET, PERFICERE NON POTERIT."--Cic. "De Orat." lib. i. cap. 12.
But to return. If a critical analysis of Burke, as an exhibition of genius, be attempted, his characteristic endowments may, probably, be not incorrectly represented by the following succinct statement.
1. Endless variety in connection with exhaustless vigour of mind.
2. A lofty power of generalisation, both in speculative views and in his argumentative process.
3. Vivid intensity of conception, which caused abstractions to stand out with almost living force and visible feature, in his impassioned moments.
4. An imagination of oriental luxuriance, whose incessant play in tropes, metaphors, and analogies, frequently causes his speeches to gleam on the intellectual eye, as Aeschylus says the ocean does, when the Sun irradiates its bosom with the "anerithmon gelasma" of countless beams. 5. His positive acquirements in all the varied realms of art, science, and literature, endowed him with such vast funds of knowledge (In the wealth of his multitudinous acquirements, Burke seems to realise Cicero's ideal of what a perfect orator should know:--"Equidem omnia, quae pertinent ad usum civium, morem hominum, quae versantur in consuetudine vitae, in ratione reipublicae, in hac societate civili, in sensu hominum communi, in natura, in moribus, co hendenda esse oratori puto."--Cicero "De Orat." lib. ii. cap. 16.), that Johnson declared of Burke--"Enter upon what subject you will, and Burke is ready to meet you."
6. In addition to these high gifts, may be added, an ability to wield the weapons of sarcasm and irony, with a keenness of application and effect rarely equalled. But, in all candour, it may be added, that just as a profusion of figures and metaphors sometimes tempted this great orator into incongruous images and coarse analogies, so his passion for irony was occasionally too intense. Hence, there are occasions where his pungency is embittered into acrimony, strength degenerates into vulgarism, and the vehemence of satire is infuriated with the fierceness of invective.
7. With regard to language and style, it may be truly said, they were the absolute vassals of his Genius, and did homage to its command in every possible mode by which it chose to employ them. Thus, in his "Letters on a Regicide Peace," and above all, in "French Revolutions," the reader will find almost every conceivable manner of style and mode of expression the English language can develop; and what is more,--together with classical richness, there are also the pointed seriousness and persuasive simplicity of our own vernacular Saxon, which increase the attractions of Burke's style to a wonderful extent. But, beyond controversy, among these great endowments, the imaginative faculty is that which appears to be the most transcendent in the mental constitution of Burke. And so truly is this the case, that both among his contemporaries, as well as among his successors, this predominance of imagination has caused his just claims as a philosophic thinker and statesman to be partially overlooked. The union of ideal theory
But to return. If a critical analysis of Burke, as an exhibition of genius, be attempted, his characteristic endowments may, probably, be not incorrectly represented by the following succinct statement.
1. Endless variety in connection with exhaustless vigour of mind.
2. A lofty power of generalisation, both in speculative views and in his argumentative process.
3. Vivid intensity of conception, which caused abstractions to stand out with almost living force and visible feature, in his impassioned moments.
4. An imagination of oriental luxuriance, whose incessant play in tropes, metaphors, and analogies, frequently causes his speeches to gleam on the intellectual eye, as Aeschylus says the ocean does, when the Sun irradiates its bosom with the "anerithmon gelasma" of countless beams. 5. His positive acquirements in all the varied realms of art, science, and literature, endowed him with such vast funds of knowledge (In the wealth of his multitudinous acquirements, Burke seems to realise Cicero's ideal of what a perfect orator should know:--"Equidem omnia, quae pertinent ad usum civium, morem hominum, quae versantur in consuetudine vitae, in ratione reipublicae, in hac societate civili, in sensu hominum communi, in natura, in moribus, co hendenda esse oratori puto."--Cicero "De Orat." lib. ii. cap. 16.), that Johnson declared of Burke--"Enter upon what subject you will, and Burke is ready to meet you."
6. In addition to these high gifts, may be added, an ability to wield the weapons of sarcasm and irony, with a keenness of application and effect rarely equalled. But, in all candour, it may be added, that just as a profusion of figures and metaphors sometimes tempted this great orator into incongruous images and coarse analogies, so his passion for irony was occasionally too intense. Hence, there are occasions where his pungency is embittered into acrimony, strength degenerates into vulgarism, and the vehemence of satire is infuriated with the fierceness of invective.
7. With regard to language and style, it may be truly said, they were the absolute vassals of his Genius, and did homage to its command in every possible mode by which it chose to employ them. Thus, in his "Letters on a Regicide Peace," and above all, in "French Revolutions," the reader will find almost every conceivable manner of style and mode of expression the English language can develop; and what is more,--together with classical richness, there are also the pointed seriousness and persuasive simplicity of our own vernacular Saxon, which increase the attractions of Burke's style to a wonderful extent. But, beyond controversy, among these great endowments, the imaginative faculty is that which appears to be the most transcendent in the mental constitution of Burke. And so truly is this the case, that both among his contemporaries, as well as among his successors, this predominance of imagination has caused his just claims as a philosophic thinker and statesman to be partially overlooked. The union of ideal theory