Sense of Evil - Kay Hooper [38]
Rafe didn't smile. “What happens to the host's spirit?”
“I don't know. We don't know. Withers away, maybe, like an unused limb. Gets booted out and passes on to whatever awaits all of us when we leave this mortal coil.” Isabel sighed. “Frontier territory, remember? We have a lot of theories, Rafe. We have some personal experiences, war stories we can tell. Even a few nonpsychic if not unbiased witnesses to testify to things they've seen and heard. But scientific data to back us up? Not so much. For most of us, we believe because we have to. Because it's us experiencing the paranormal. Hard to deny something when it's part of your everyday life.”
“And the rest of us have to take it on faith.”
“Unfortunately. Unless and until you have your own close encounter with the paranormal.”
“I'd rather not.”
Isabel's smile twisted a bit. “Yeah. Well, let's hope you get your wish. But don't count on it. Maybe it's just because we psychics are present to pull in and focus the energy, but people around us do tend to experience things they never would have imagined before. Fair warning.”
“You keep warning me.”
“I keep trying.”
It was Rafe's turn to sigh, but all he said was, “You made a distinction earlier between a spirit and a—what did you call it?—a noncorporeal force? What the hell is that supposed to be?”
“Evil.”
He waited a moment, then said, “Evil as in . . . ?”
“As in the force opposing good, the negative to offset the positive. As in the precarious balance of nature, of the universe itself. As in worse than you can imagine, breath smelling like brimstone, glowing red eyes, straight-out-of-a-fiery-hell evil.”
“You're not serious?”
When he glanced over at her, he found something in her green eyes older and wiser than any woman's eyes should ever have held. Than any human eyes should ever have held.
“Didn't you know, Rafe? Hadn't you even considered the possibility? Evil is real. It's a tangible, visible presence when it wants to be. It even has a face. Believe me, I know. I've seen it.”
Alan had every intention of taking the note to Rafe and the federal agents. Just not right away.
He wasn't stupid about it, of course. He made a copy and put the original in a clear plastic sleeve to protect it. And then he spent a lot of time staring at the note. The words. Trying to figure out what the author was trying to tell him.
And trying to decide if the author was the killer.
Despite his sometimes provocative attitude in print, Alan wasn't a big fan of conspiracy theories, so his natural inclination was to believe that the note had been written by the killer. It was the simplest explanation, and it made sense to him. What didn't make sense was that someone in town knew who the killer was and had done nothing to stop him.
Unless that someone was very, very afraid.
And if that was the case . . . how could Alan flush him or her out of hiding?
It would be such a coup. And stop the killings, of course.
But how to bring that person, if he or she existed, out of the woodwork?
Musing over that question, Alan left the original of the note securely locked in his desk, but took the copy with him when he left the office—a bit early—for the day. He didn't go straight home but stopped by the town-hall building, which had become the unofficial hangout for most members of the media.
There were quite a few hanging around, but most were talking companionably, with the relaxed posture that came of having passed the deadline for the six o'clock news. The pressure was off, at least for most of them and for the moment.
Dana Earley, the only blond female in the bunch, was also the most obviously tense. Understandably. She was also the only TV reporter still present today, and kept her cameraman close.
Alan doubted it was because she liked the guy, who was skinny, clearly bored, and appeared to be about seventeen.
Some protection he'd be, Alan thought.
“You,” Dana said to him, “are looking far too smug. What do you know that the rest of us don't?”
“Oh, come on, Dana. You think