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Septimus Heap, Book One_ Magyk - Angie Sage [109]

By Root 674 0
against the midnight darkness.

The scene was somewhere that Jenna and Nicko knew well: their home back in the Castle. Like a tableau laid before them, the figures in the room were immobile, frozen in time. Sarah lay in a makeshift bed, holding a newborn baby, with Silas beside her. Jenna caught her breath. She had not realized how much she missed home until now. She glanced at Nicko, who had a look of concentration on his face that Jenna recognized as Nicko not looking upset.

Suddenly everyone gasped. The figures had begun to move. Silently and smoothly, like a moving photograph, they began to play out a scene before the entranced audience—entranced, except for one.

“My Master’s Camera Obscura is a hundred times better than this old duck pond,” the Apprentice said contemptuously.

“Shut up,” hissed Nicko angrily.

The Apprentice sighed loudly and fidgeted about. It was all a load of rubbish, he thought. It’s nothing to do with me.

The Apprentice was wrong. The events he was watching had changed his life.

The scene unfolded before them:

The Heaps’ room looks subtly different. Everything is newer and cleaner. Sarah Heap is much younger too; her face is fuller and there is no sadness lingering in her eyes. In fact, she looks completely happy, holding her newborn baby, Septimus. Silas is also younger; his hair is less straggly and his face less etched with worry. There are six little boys playing together quietly.

Jenna smiled wistfully, realizing that the smallest one with the mop of unruly hair must be Nicko. He looks so cute, she thought, jumping up and down, excited and wanting to see the baby.

Silas picks Nicko up and holds him up to see his new brother. Nicko reaches out a small, pudgy hand and gently strokes the baby’s cheek. Silas says something to him and then puts him down to toddle off and play with his older brothers.

Now Silas is kissing Sarah and the baby good-bye. He stops and says something to Simon, the eldest, and then he is gone.

The picture fades away, the hours are passing.

Now the Heaps’ room is lit by candlelight. Sarah is nursing the baby, and Simon is quietly reading a story to his younger brothers. A large figure in dark blue robes, the Matron Midwife, bustles into view. She takes the baby from Sarah and lays him in the wooden box that serves as his cot. With her back to Sarah she slips a small vial of black liquid from her pocket and dips her finger into it. Then, glancing around her guiltily, the Midwife wipes her blackened finger along the baby’s lips. At once, Septimus goes limp.

The Matron Midwife turns to Sarah, holding out the floppy baby to her. Sarah is distraught. She puts her mouth over her baby’s to try to breathe life into him, but Septimus stays as limp as a rag. Soon Sarah too feels the effects of the drug. In a daze she collapses back against her pillows.

Watched by six horrified little boys, the Matron Midwife takes a huge roll of bandages out of her pocket and begins to wrap Septimus, starting with his feet and expertly working upward, until she reaches his head, where she stops for a moment and checks the baby’s breathing. Satisfied, she continues with the bandaging, leaving his nose peeking out, until he looks like a tiny Egyptian mummy.

Suddenly the Matron Midwife makes for the door, taking Septimus with her. Sarah wills herself to wake from her drugged sleep just in time to see the Midwife throw open the door and bump into a shocked Silas, who has his cloak tightly wrapped around him. The Midwife pushes him aside and runs off down the corridor.

The corridors of the Ramblings are lit with brightly burning torches, which cast flickering shadows across the dark figure of the Matron Midwife as she runs, holding Septimus close. After a while she emerges into the snowy night and slows her pace, looking about anxiously. Hunched over the baby, she hurries along the deserted narrow streets until she reaches a wide-open space.

Boy 412 gasped. It was the dreaded Young Army Parade Ground.

The large dark figure moves over the snowy expanse of the parade ground, scuttling like

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