Serenade - James M. Cain [38]
"I didn't mean pictures. How about theatres?"
"I could book you twelve weeks straight, right up the coast, book you in a minute, if you was a name. Without a name for the marquee, you ain't worth a dime."
"I'm fairly well known."
"I never heard of no John Howard Sharp."
"I sang mainly in Europe."
"This ain't Europe."
"How about night clubs?"
"I don't fool with that small stuff. You want to go on in a night club, there's plenty of them around. If that interests you, you might pick up quite a little time here and there, this and that. Try Fanchon and Marco. Maybe they got a spot for you."
I walked down on Sunset, to Fanchon and Marco. They were putting up a dance act, and a singer didn't seem to fit. I went in a radio station. They gave me an audition, and said they'd let me have some sustaining time in the afternoon, but they wouldn't pay for it, and I'd have to bring my own accompanist. I said I'd be back.
Around four o'clock I went in a night club on La Brea, and they let me sing for them, and then said they'd put me on, $7.50 a night, tips and meals, report in evening clothes at nine o'clock. I said I'd let them know. I found a costume place to go in and rent an evening outfit. The price was $3 a night, $10 by the week, and that would leave a little profit, but they had nothing in there that would fit. I'm six feet, and weighed nearly two hundred, and that's an out size for a costume place. I went back to Spring Street. There was a little place still open, and I went in and bought a second-hand guitar for $5. I wasn't going to pay an accompanist to get me on the air. With that guitar, I could do my own accompanying.
I kept that up three or four days. I parked the guitar in the radio station, and Went in there every day at two thirty. I was to get fifteen minutes, and be announced under my name, but when I cut myself up into two pieces, John Howard Sharp, baritone, and Signor Giuseppe Bondo, the eminent Italian guitar player, they gave me a half hour. I'd sing a couple of numbers, and then I'd introduce the Signor, and the Signor would announce his selections in a high voice, in Italian. Then I'd try to translate, and get it all wrong, so if I said it was to be Hearts and Flowers, the Signor would play Liebestraum, or something like that. The station manager thought that was a pretty good gag, and made us a regular feature, and put our names in the paper. After the second day he got twenty or thirty letters about me, and two or three hundred about the Signor, and he got all excited and said he was going to find a sponsor for us. A sponsor, it turned out, was an advertiser that would pay us.
One of those days, after the broadcast, I took the guitar out with me and went to Griffith Park, where the Iowa Society was having a picnic, forty or fifty thousand of them. I thought if I went singing around, there might be some tips. I had never taken a tip, and I wondered how I was going to feel about it. I needn't have worried. The Iowa Society liked me fine, but none of them dug into their pocket. But next day I went in the Biltmore, where the Rotary Club was having lunch. I marched right in with the guitar, just like I was supposed to be there, and when I got into the dining-room I went to the center of the U table that they were all sitting around, hit a chord and started to sing. I picked the Trumpeter, because you can rip into it right from the start without any waiting around for a chorus to get started on. A captain and three waiters hustled over to throw me out, but two or three of them yelled, "Let him alone! Let him alone!"
I got a hand, and piled a couple of numbers on top of it. I remember one of them was the Speaks Mandalay. Then some egg up in the corner began to yell, "Pollyochy! Pollyochy!" I didn't think it was a Pagliacci crowd, so I didn't pay any attention to him, but he kept it up, and then some of the others yelled "Pollyochy!" too, mostly to shut him up. So I whammed into the introduction, and began singing