Serenade - James M. Cain [70]
I had looked at my watch when she went. It was seven after one. After a hell of a time I slipped back to a bathroom and looked again. It was eleven after. She had been gone four minutes: I came back and sat down again. Pudinsky stopped and they all yelled for more. He said he was tired. The buzzer rang. Winston opened, and I began thinking of a stall in case it was the detective. Who stepped in was Juana. She hadn't changed her dress. Over her arm was the cape, in one hand was the espada, and in the other the ear.
They had got a little sick of bullfighting, but when they saw the ear they began to yell again. They passed it around, and felt it, and smelled it, and say "Peyooh!" Winston took it, held it up to his head and wobbled it, and they laughed and clapped. He got down on the floor again and bellowed. Juana laughed. "Yes, now you are no more jackass. Big bull."
He bellowed again. I was getting so nervous I was twitching. I went over to her. "Take that stuff back. I'm fed up on bullfighting, and that ear stinks. Take it back where you got it, and--"
I grabbed for the ear. Winston dodged. She laughed and wouldn't look at me. Something hit me in the belly. When I looked around I saw that one of the fags in woman's clothes had poked me with a broomstick. "Out of my way! I'm a picador! I'm a picador on his old white horse!"
Two or three more of them ran back and got broomsticks, or mops handles, or whatever was there, to be picadors, and began galloping around Winston, poking at him. Every time they touched him he'd bellow. Juana drew the espada, and spread the cape with it, like it was a muleta. Winston began charging it, on one hand and his knees, still holding the ear with his other hand and wobbling it. Pudinsky began to rip off the bullring music from Carmen. There was so much noise you couldn't even hear yourself think. I walked over and leaned on the piano, with my back to it, till she would get the clowning over and I would have another chance to get her out.
All of a sudden Pudinsky stopped, and this "Ooh!" went around the room. I turned around. She was standing there, like a statue, the way they do for the kill, with her left side to Winston, the sword in her right hand, up at the level of her eyes, and pointing right at him. In her left hand, down in front of him, she held the cape. He was down there looking at it, and wobbling the ear at it. Pudinsky began to play blue chords on the piano.
Winston snorted a couple of times, then looked up at her, like he wanted a cue on what to do next. Then he jumped up, and back, but a sofa caught him. A man yelled. I jumped for the sword arm, but I was too late. That espada thrust isn't something in slow motion, like you maybe have thought from reading the books. It goes like lightning, and next thing I knew the point of the steel was sticking out the back of the sofa, and blood was foaming out of Winston's mouth, and she was over him, talking to him, laughing at him, telling him the detective was waiting to take him down to hell.
It flashed over me, that mob at the novelladas, pouring down out of the sol, twisting the tail of the dying bull, yelling at him, kicking at him, spitting on him, and I tried to tell myself I had hooked up with a savage, that it was horrible. It was no use. I wanted to laugh, and cheer, and yell Olé! I knew I was looking at the most magnificent thing I had ever seen in my life.
Chapter 12
She spit into the blood, stepped back, and picked up the cape. For a second all you could hear was Pudinsky, over at the piano, gasping and slobbering in an agony of fright. Then they made a rush for the door, to get out before the police came. They fought to get past each other, the women cursing like men, the fags screaming like women, and when they got to the hall they didn't wait for the elevator. They went piling down the stairway, and some of them fell, and you could hear more curses, and screams, and thuds, where they were kicking each