Serenade - James M. Cain [74]
"I don't quite follow you."
"They haven't got her. They may have her, tucked away in some station-house in the Bronx, they may be holding her there and saying nothing for fear of habeas corpus proceedings, but I don't think so. They haven't got her, and it's quite possible they've let you out so they can locate her through you."
"Oh, now I see what you mean."
"You going back to your apartment?"
"I don't know. I suppose so."
"...You'll be watched. There'll probably be a tail on you day and night. Your phone may be tapped."
"Can they do that?"
"They can, and they do. There may be a dictaphone in there by now, and they're pretty good at thinking of places to put it without your finding it, or suspecting it. It's a big apartment house, and that makes it all the easier for them. I don't know what her plans are, and apparently you don't. But it's a bad case. If they catch her, I'll do everything I can for her, but I warn you it's a bad case. It's much better than she not be located...Be careful."
"I will."
"The big danger is that she phone you. Whatever you do, the second she rings up, warn her that she's being overheard."
"I'll remember that."
"You're being used as a decoy."
"I'll watch my step."
When I got up to Twenty-second Street a flock of reporters were there, and I stuck with them for about ten minutes. I thought it was better to answer their questions some kind of way, and get rid of them, than have them trying to get to me all day. When I got up to the apartment the phone was ringing, and a newspaper was on the line, offering me five thousand dollars for a signed story of what I knew about it, and about her, and I said no, and hung up. It started to ring again, and I flashed the board and told them not to put through any more incoming calls, or let anybody up. The door buzzer sounded. I answered, and it was Harry and Tony, on hand to tell me what they knew. I peeled off a hundred-dollar bill as they started to talk, handed it over, and then remembered about the dictaphone. We went out in the hall, and they whispered it. She didn't leave right after it happened. She went to the apartment, packed, and changed her dress, and about five or ten minutes later buzzed twice, like I had told her to. Tony had the car up there all that time, waiting for her, and he opened, pulled her in, and dropped her down to the basement. They went out by the alley, and when they came out on Twenty-third Street he got her a cab, and she left. That was the last he saw of her, and he didn't tell it to the police. While he was doing that, Harry was on the board in the lobby, and didn't pay much attention when he saw the fags going out, and neither did the guy from the Immigration Service. How the cops found it out they didn't know, but they thought the fags must have bumped into one outside, or got scared and thought they better tell it anyway, or something. Tony said the cops were already in Winston's apartment before she left.
They went down and I went in the apartment again. With the phone cut off it was quiet enough now, but I began looking for the dictaphone. I couldn't find anything. I looked out the window to see if anybody was watching the building. There wasn't anybody out there. I began to think Sholto was imagining things.
Around two o'clock I got hungry and went out. The reporters were still down there, and almost mobbed me, but I jumped in a cab and told him to drive to Radio City. As soon as he got to Fourth Avenue I had him cut over to Second again, and come down, and got out at a restaurant around Twenty-third Street. I had something to eat and took down the number of the pay phone. When I got back to the apartment house, I whispered to the boy on the board if a Mr. Kugler called, to put him through. I went upstairs and called the restaurant phone. "Is Mr. Kugler there?"
"Hold the line, I'll see."
I held the line, and in a minute he was back. "No Mr. Kugler here now."
"When he comes in ask him to call Mr. Sharp. S-H-A-R-P."
"Yes sir, I'll