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Seven Dials - Anne Perry [10]

By Root 728 0
pinafore on over her dress. She was ten years old, and very self-possessed, at least on the surface. She was growing tall, and the slight heels on her buttoned-up boots added to her height.

“Morning, Papa,” she said demurely, standing in front of him and waiting for his reply.

He looked up, ignoring the newspaper, aware that she required his attention, more especially lately, since their adventure in Dartmoor, when their lives had been in danger and for the first time he had been unable to protect them himself. His sergeant, Tellman, had done an excellent job, at considerable risk to his own career. He was still at the Bow Street station, now under a new superintendent, a man named Wetron. Wetron was cold and ambitious, and with good cause; they believed him to be a senior member of the Inner Circle, possibly even with eyes on the leadership.

“Good morning,” he replied gravely, looking up at her.

“Is there something important in there?” she asked, glancing for a moment at the paper spread across the table.

He hesitated only a moment. His instinct was always to protect both his children, but especially Jemima, perhaps because she was a girl. But Charlotte had told him that evasion and mystery were far more frightening than all but the very worst facts, and being excluded, even for the best of reasons, hurt. And Jemima especially nearly always understood if she were being shut out. Daniel was two years younger, and far more self-contained, happier to go about his own affairs, less reflective of Pitt’s mood. He watched and listened, but not as she did.

“I don’t think it will be,” he said frankly.

“Is it your case?” she pressed, watching him solemnly.

“It’s not a dangerous one,” he assured her, smiling as he said it. “A lady seems to have shot someone, and an important man might have been there at the time. We have to do what we can to see that he doesn’t get into trouble.”

“Why?” she asked.

“That is a good question,” he agreed. “Because he is in the government, and it would be embarrassing.”

“Should he have been somewhere else?” she said, seeing the point immediately.

“Yes. He should have been at home in bed. It happened in the middle of the night.”

“Why did she shoot him? Was she afraid of him?” It was the obvious thought to her. A few months ago she had known what it was like to get up in the middle of the night, pack all your belongings and run away in a pony cart along the edge of the moor in the dark.

“I don’t know, sweetheart,” he said, putting out his hand and touching her smooth, blemishless cheek. “She hasn’t said anything yet. We still have to find out. It’s just like police work, the way I used to do it a year ago, before I went to Whitechapel. There’s nothing dangerous in it at all.”

She looked at him steadily, deciding if he was telling her the truth or not. She concluded he was, and her face lit with satisfaction. “Good.” Without waiting any longer she sat down in her own place at the table. Gracie put her porridge in front of her, with milk and sugar, and she began to eat.

Pitt returned his attention to the newspaper. The Times article was unequivocal. It gave a glowing obituary to Edwin Lovat, lauding him as a distinguished soldier before illness had obliged him to return to civilian life, where he had used his skills and experience in the Near East to great effect in the diplomatic service. A bright future had lain ahead of him until he was cruelly cut down by an ambitious and ruthless woman who had grown tired of his attentions and desired to seek richer and more influential patronage.

Saville Ryerson’s name was not mentioned, even by implication. Exactly what patronage the murderess had sought was left to the imagination of the reader. What was spelled out very clearly was her unquestionable guilt of the crime, and the fact that she should be tried for it, and hanged without argument or delay.

Pitt found the ease of assumption behind the paper’s account disquieting, even though he knew far more than the writer of the article. There was an essential absurdity in denying the story, given that

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