Seven Dials - Anne Perry [107]
“I’ll fetch ’er when she does ’er errands, about ’alf past nine.” She nodded. “But she never told me wot Martin said before, so mebbe ’e didn’t say nothin’ about the Garricks. Wot are we gonna do then?”
“Go back and talk to the parlor maid at the Garrick house, who knew him fairly well,” he replied. “But that would be harder. If there is anything wrong, she won’t be able to speak freely while she’s there, and she’ll be afraid for losing her position.” He tried very hard to keep his feelings about that out of his face, and failed. “Do you want some apple pie?” he asked instead.
“Yeah . . . please.” The winkles had been delicious, but they were not very filling, and there is nothing quite like really good short-crust pastry and firm, tart apples, with cream on thick enough to stand a spoon up in.
When they had finished, Tellman paid and they left. Out in the cool evening, they walked side by side along the crowded footpath half a mile or so to the entrance of the music hall. There were scores of people, much like themselves, some of them more showily dressed, but most arm in arm, men strutting a little, girls laughing and swishing skirts. They pressed close together, pushing each other in excitement to get inside.
A hurdy-gurdy man played a popular air, and one or two people joined in singing with it. Hansoms stopped and more people added to the crowd. Peddlers sold sweets, drinks, hot pies, flowers and trinkets.
Gracie had to cling to Tellman’s arm not to be carried away by the press of bodies all pushing and shoving in slightly different ways. The noise of voices raised in excitement was terrific and she kept getting bumped and her feet trodden on.
Eventually they were inside. Tellman had bought tickets for seats nicely near the front of the stalls. They were going to sit down where they could see and hear properly. She had never done that before. On the few occasions she had been, she had stood at the very back, barely able to see anything at all. This was marvelous. She ought to be thinking about Martin Garvie and poor Tilda—and how on earth they were going to find out what had happened, even if they were too late to help. But the lights and the buzz of excitement, and the certainty settling warm and comfortable inside her that this was not just a single event, but the beginning of something permanent, drove everything else temporarily out of her mind.
The music started. The master of ceremonies produced wonderful tongue-twisting introductions, to oohs and aahs from the audience, and bursts of laughter. The curtain went up on an empty stage. The spotlight fell in a bright pool, and into it stepped a girl in a shining, spangled dress. She sang lilting, rather daring songs, and in spite of knowing perfectly well what they meant, Gracie found herself singing along when the audience joined in. She was happy, full of warmth.
The girl was followed by a comedian in a baggy suit, partnered by another who must have been the tallest and thinnest man alive. The audience found this hilarious, and could hardly stop laughing when the contortionist came on, and then the juggler, the acrobats, a magician, and lastly dancers.
They were all good, but Gracie liked the music best, sad songs or happy, solos or duets, and best of all when everyone sang the choruses. She barely thought of the world outside the circle of temporary enchantment right until she was at the kitchen door in Keppel Street and she turned to thank Tellman, and say good night to him.
She had intended to exercise some dignity and say it had been very nice, and not let it go to his head, as if he had taken her somewhere she had never been before. It was very foolish to let a man get above himself and think he was too clever, or that you ought to be grateful to him.
But she forgot, and all her enthusiasm was in her voice when she told him, “That was wonderful! I never seen such . . .” She stopped. It was too late to be sophisticated now. She took a deep breath. She saw in the light from the street