Seven Dials - Anne Perry [13]
Narraway looked up, his eyes angry, his slim hand white-knuckled on top of the desk. “My seniority doesn’t seem to impress you. At least not sufficiently for you to obey me without putting up an argument. I am not making suggestions, Pitt, I am telling you what to do. And I do not propose to explain myself. I am accountable to Mr. Gladstone for my success, as I will answer to him for my failure. You are accountable to me.” His voice rasped. “Go and see Ryerson. I want to know everything about his relationship with Miss Zakhari in general, and that night in particular. Come back here when you can tell me, preferably tomorrow.”
“Yes, sir. Do you know where I will find Mr. Ryerson at this time of day? Or should I simply make enquiries?”
“No, you will not make enquiries!” Narraway snapped, a flush in his cheeks. “You will tell no one but Ryerson himself who you are or what you want. Begin at his home in Paulton Square. I believe it is number seven.”
“Yes, sir. Thank you.” Pitt kept his own emotions out of his voice. He turned on his heel and went out of the room, disliking his errand but not surprised by it. The thing that confused him was that concerning a matter so important, with Gladstone involved, why Narraway did not go to see Ryerson himself. The question of being recognized by anyone did not arise. No newspaper reporters would be in Paulton Square at this hour, but even if they were, Narraway was not a public figure to be known on sight.
There must be a factor, perhaps a major one, which Narraway was not telling him, and the knowledge made him uncomfortable.
He hailed a hansom and directed it to Danvers Street, just beyond Paulton Square. He would walk the rest of the way. Since being with Special Branch he had learned a kind of carefulness in being observed. It was a precaution, no more. He disliked the secrecy of it, but he understood its worth.
By the time he had reached the first steps of number seven he had decided how to approach whoever answered Ryerson’s door.
“Good morning, sir,” a fair-haired footman in full livery said without interest. “How may I help you?”
“Good morning,” Pitt replied, standing upright and meeting the man’s eyes. “Would you be good enough to tell Mr. Ryerson that Mr. Victor Narraway sends his regards, and regrets that he is unable to call himself, but has sent me in his place? My name is Thomas Pitt.” He produced his card, the plain one that stated his name only, and dropped it on the silver tray in the footman’s hand.
“Certainly, sir,” the footman replied, without looking at the card. “Would you care to wait in the morning room while I enquire if Mr. Ryerson is able to see you?”
Pitt smiled and accepted. That was very direct, not the usual euphemism of pretending that he did not know whether his master was at home.
The footman led the way through a magnificent hall of an opulent Italianate design, terra-cotta-colored walls and handsome marble and bronze busts displayed on plinths, paintings of canal scenes on the walls, one of which looked like a genuine Canaletto.
The morning room was also in warm colors, with an exquisite tapestry on one wall that depicted a hunting scene in the minutest detail, the grass in the foreground starred with tiny flowers. This home belonged to a man of wealth and individual taste.
Pitt had ten minutes to wait in nervous tension, trying to rehearse the scene in his mind. He was about to question a cabinet minister regarding a possibly criminal, certainly embarrassing, part of his personal life. He had come to learn the truth and he could not afford to fail.
But he had questioned important people about their lives before, probing for the wounds that had led to murder. It was his skill. He was good at it, even brilliant. He had had far more successes than failures. He should not doubt himself now.
He glanced at the books in one of the cases. He saw Shakespeare, Browning, Marlowe, and a little farther along, Henry Rider Haggard and Charles Kingsley and two volumes of Thackeray.
Then he heard the door open and he swung around.