Seven Dials - Anne Perry [84]
But gradually Gracie’s passion in her cause had won, and she had told Vespasia exactly what she believed, and feared, and Vespasia had eventually left with as much information on the problem as Charlotte and Gracie had themselves.
That was why at a little after half past seven that evening Vespasia stood in the foyer of the Royal Opera House, the diamonds in her tiara blazing, the lavender smoke satin of her gown a column of stillness in the rattle and rustle of pinks and golds.
She regarded the crowd as it passed her, looking for the vaguely familiar figure of Ferdinand Garrick. It had taken her most of the afternoon to discern, with the utmost discretion, where he planned to be this evening, and then to cajole a friend who owed her a favor into parting with her own tickets for the event.
Lastly had come a call to Judge Theloneus Quade, inviting him to accompany her, a request she knew he would not refuse, which caused her a sharp pang of guilt. She knew his feelings for her, and since the return of Mario Corena, honor had compelled that she did not mislead anyone, nor seem to use someone else’s affections of which she was more than aware. Also the depth of that fierce love of her most vital years had come back with a tenderness now, a reality that dimmed all other possibilities, and she was not yet ready even to try to let it go. Mario was dead, but what she felt was woven into her inner self forever.
But it was the peril to Martin Garvie that must occupy her attention now, and she did believe it was real. She had not allowed Gracie, or even Charlotte, to see how much it concerned her. She knew a little of Ferdinand Garrick, and she did not care for him. She could not have explained why, it was instinctive, but because there were no conscious reasons for it, it was also impossible to argue it away.
Of course she had confided in Theloneus, not only because she owed him at the very least an explanation for such unseemly haste in attending an opera she knew he liked no better than she did, but also because she valued both his friendship and his discretion too much not to avail herself of his assistance in a cause which might prove far from easy.
She saw Garrick at the same moment that Theloneus did.
“Forward?” he said gently; it was only half a question.
“I’m afraid so,” she replied, and taking his arm she started to urge her way through the crowd.
However, by the time they reached Garrick he was very obviously engaged in a conversation with an extremely conservative bishop for whom Vespasia could not even pretend to have a warmth of regard. Three times she drew breath to enter the conversation, and then found the comment dead on her tongue. There were degrees of hypocrisy she could not achieve, even in the best of causes. She felt rather than saw Theloneus’s amusement beside her.
“There will be two intervals,” he said in little above a whisper as Garrick and the bishop moved away and it was time to take their own seats.
The opera was a baroque masterpiece full of subtlety and light, but it had not the familiar melodies, the passion and lyricism of the Verdi she loved. She occupied her mind with plans for the first interval. She could not afford to wait until the second, in case some mischance should make visiting Garrick impossible. He might become involved in an encounter she could not decently join. Some degree of subtlety was required. He was no fonder of her than she of him.
When the curtain came down to enthusiastic applause she was on her feet as if risen spontaneously.
“I didn’t know you liked it so much,” Theloneus said in surprise. “You didn’t look as if you did.”
“I don’t,” she replied, disconcerted that he had been watching her and not the stage; in honesty she had nearly forgotten how deep his feeling was for her. “I wish to visit Garrick before he leaves his box,” she explained. “And preferably before someone else dominates any discussion.”
“If the bishop is there,