Shadows Return - Lynn Flewelling [45]
Even this tiny bit of new knowledge gave him hope. If he could get to the coast, he could steal a boat. His handler gave the chain a jerk as Alec paused, trying to gauge the distance and obstacles.
As they continued on toward the far archway he caught a glimpse into a room where a dark-haired noblewoman sat beside a fire with an embroidery hoop. He heard a child’s voice and looked up to see two young, black-haired children on the gallery with a veiled woman. Her eyes were grey: another ’faie, perhaps, and certainly a slave. She looked away quickly, whispering to her charges.
As they neared the archway at the back of the courtyard, Alec caught the scent of meat cooking, so rich and strong that he paused again, savoring it. This time his handler cuffed him on the side of the head and nearly yanked him off his feet by the chain.
They passed under the arch and down a short flight of marble stairs into a smaller courtyard. This one was planted with trees and herbs, all ripe or gone brown with frost. On the far side stood a long stone cottage decorated in the same style as the villa. The courtyard wall to the left of it featured a large, elaborately carved fountain niche.
Lots of handholds there, thought Alec.
To his right he saw the entrance to yet another walled courtyard, where a large central fountain tinkled and splashed in a broad white basin.
His guards hurried him across to the cottage and knocked at the door. Ahmol let them in.
There were no windows; instead, skylights let in the morning sun, illuminating a large workshop that reminded Alec at once of Thero’s rooms at the Orëska House. It even smelled just as bad as they sometimes did when the wizard made fire chips: a mix of hot copper, sulfur, and shit that made his eyes smart.
The center of the room was dominated by a cylindrical brick furnace, which the Orëska wizards called an athanor. It was about four feet tall, with small windows near the top, through which the flames showed like a pair of flickering yellow eyes. A big-bellied glass retort sealed with a clay plug sat atop it. Inside, something that looked like dull green mud bubbled and roiled.
At the left end of the room, furthest from the door, stood a miniature pavilion painted with rings of symbols he’d never seen before. The right-hand wall was dominated by a brick forge. An array of iron tongs and tools hung from hooks next to it, and baskets full of rough stones and thin rods of different metals were lined up underneath these. Small ingots of gold and silver lay in neat stacks on a shelf. Several small anvils took up a bench in the corner. A much larger one stood between the forge and the athanor.
The remaining walls were lined with bookcases, workbenches, tall cabinets, and polished chests with small, carefully labeled drawers. One table held a collection of glass vessels on iron stands. Some of these were very like ones he’d seen Nysander and Thero use. A large glass distillation vessel was currently bubbling on a tripod over a brazier, half-full of a thick blue liquid. A long snout arched from the top of the vessel, guiding drops of condensed steam into a white crucible.
The largest apparatus was comprised of a pear-shaped clay vessel sitting on a heavy wrought-iron tripod. A crazy array of thin, curly copper tubes stuck up from the lid like a madwoman’s hair. Some kind of distillery, he supposed.
Overhead, hundreds of colorful cloth bags and strings of desiccated animals hung from the ceiling beams. There were frogs, rats, birds, lizards, squirrels, rabbits, and even a few fingerling dragons among the latter, he saw with a shudder of revulsion. Assorted skins and bones took up table space near an inner door, which, like the little tent, was covered with strange symbols.
Alec rubbed his smarting eyes. There were other, more familiar instruments scattered about: a set of brass sextants, a large brass astrolabe, chisels, saws.
One of his guards pulled him over to the large anvil and secured