She Walks in Beauty_ A Woman's Journey Through Poems - Caroline Kennedy [22]
When the soul lies down in that grass,
the world is too full to talk about.
Ideas, language, even the phrase each other
doesn’t make any sense.
The Emperor
MATTHEW ROHRER
She sends me a text
she’s coming home
the train emerges
from underground
I light the fire under
the pot, I pour her
a glass of wine
I fold a napkin under
a little fork
the wind blows the rain
into the windows
the emperor himself
is not this happy
Late Fragment
RAYMOND CARVER
And did you get what
you wanted from this life, even so?
I did.
And what did you want?
To call myself beloved, to feel myself
beloved on the earth.
From The First Morning of the Second World
DELMORE SCHWARTZ
. . . Quickly then and certainly it was the river of summer, blue as the
infinite curving blueness above us,
Little boats at anchor lolled or were lapped, and a yacht slowly
glided.
It was wholly holiday, holiday absolute, a silk and saraband day,
warm and gay and
Blue and white and vibrant as the pennants buoyant on the stadium
near us,
White, a milk whiteness, and also all the colors flaring, melting, or
flowing.
There hope was, and the hopes, and the years past,
The beings I had known and forgotten and half-remembered or
remembered too often,
Some in rowboats sunned, as on a picnic, or waiting, as before
a play,
the picnic and the play of eternity as summer, siesta, and summit
—How could I have known that the years and the hopes were
human beings hated or loved,
Or known that I knew less and more than I supposed I supposed?
(So I questioned myself, in a voice familiar and strange.)
There they were, all of them, and I was with them,
They were with me, and they were me, I was them, forever united
As we all moved forward in a consonance silent and moving
Seated and gazing,
Upon the beautiful river forever.
2
So we were as children on the painted wooden horses, rising and
falling, of the carnival’s carousel
Singing or smiling, at times, as the lyric of a small music tinkled
above us
Saying: “The task is the round, the round is the task, the task and
the round are a dance, and
There is nothing to think but drink of love and knowledge, and
love’s knowledge
When after and before are no more, and no more masks or un-
masking,
but only basking
(As the shining sea basks under the shining sun
In a radiance of swords and chandeliers dancing)
In the last love of knowledge, the first, when thought’s abdication quickens thought’s exaltation,
In the last blessing and sunlight of love’s knowledge.”
I hardly knew when my lips parted. Started to move slowly
As in the rehearsal of half-remembered memorized
anthem, prayer, or spell
of heartwelling gratitude and recognition.
My lips trembled, fumbled, and in the depths and death of thought
A murmur rose like the hidden humming of summer, when June
sleeps
In the radiant entrancings of warm light and green security.
Fumbling, feeling for what I had long supposed I had grasped and
cast aside as worthless,
the sparks or glitters of pleasure, trivial and transient.
—The phrases like faces came, lucid and vivid, separate, united,
sincere as pain
With the unity of meaning and emotion long lost, disbelieved or
denied,
As I sought with the words I had known a candid translation.
So I said then, in a language intimate and half-understood:
“I did not know . . . and I knew . . . surely I once knew . . .
I must have known . . .
Surely sometimes guessed at or suspected,
Knew and did not know what love is,
The measure of pleasure, heart of joy, the light and the heart of
the light
Which makes all pleasure, joy and love come to be
As light alone gives all colors being, the measure and the treasure
Of the light which unites and distinguishes the bondage and
freedom in unity and distinction
Which is love . . . Love? . . . Is love? What is love?”
Suddenly and certainly I saw how surely the measure and
treasure of pleasure is being as being with, belonging
Figured and touched in the experience of voices in chorus.
Withness