Sheen on the Silk - Anne Perry [146]
She found a weapon, another jeweled knife, this one with a different shape of blade, still in its sheath at his belt and unstained. Gregory had not even drawn it. There was a piece of paper in his pocket: an invitation to meet about three hundred yards from here, signed by Giuliano.
With stiff hands, she tore the paper into tiny pieces and put the Dandolo dagger in her own bag, then turned to the man who had come for her. “Help me move him into the middle of the road. Somebody get a horse with any kind of cart. As many of you as can, climb into it and drive over the body, just once, over his neck, so we can hide the wound. Go on! Quickly!”
Anna bent down, forcing herself to grip Gregory’s body. It was heavy. It was hard work to drag it into the middle of the street where the traffic had worn the stones concave over the years. The sweat broke out on her body, yet she was shivering so violently that her teeth chattered. She tried not to think of what she was doing, only what it would cost Giuliano if she failed, and these people who had trusted her and would pay a terrible price to the authorities if it was thought to be murder.
When the task was completed, in swaying, jerking lantern light, the women helped her find the place where Gregory had been killed so that in daylight the blood would not make it obvious he had been moved. They worked hard, with lye and potash and brushes to get rid of every trace, scrubbing, swilling, scraping between the stones.
By the time they were satisfied, the man had returned with the cart, drawn by a swaybacked horse. He did not say where he had got it, and no one asked.
It was a fearful job. The horse was frightened by the smell of blood and death, and it did everything it could to avoid treading on the corpse. It had to be led, talked to softly, encouraged against its will, in order to draw the wheels over Gregory’s neck and shoulders.
“It’s not good enough,” Anna told them, staring at the mangled flesh and hideously exposed bone. She could not leave it looking so obviously like a murder. “Do it once more. No one will believe it an accident if it’s clear the cart went over him several times. They might accept that the horse was frightened and backed once. Be careful.” The cart began to move, the man dragging at the halter of the reluctant animal, which was sweating, its flanks lathered, its eyes rolling.
“To the left!” she said urgently, waving her arm. “More! … That’s it. Now forward.”
She forced herself to look. The body looked terrible. Anyone seeing it would assume he had been knocked down and then dragged until the wheels finally went over him as the animal panicked. She turned away.
“Thank you,” the man said. His voice cracked with emotion. “I’ll take you back home.”
“You stay here. Clean the cart and the horse’s hooves. Do that very carefully or they’ll find it if they look. I’ll tell the authorities you called me to an accident.” She gulped again, her head swimming. “It’s easy to explain. Dark night, frightened horse, a man returned from a long exile in Alexandria who didn’t know the Venetian Quarter well. Bad accident, but they happen. Don’t add to it.” She felt her stomach churning. “You found him. You called me because you knew me. You didn’t see in the dark how bad it was.”
She walked away quickly, and as soon as she was around the corner, she retched. It took her several minutes before she was well enough to stand up and go on. She was less than a mile from the house where Giuliano lodged, and he should have returned by now. The time of his appointment with Gregory was long past. Before she could report Gregory’s death to the night watch, she must give Giuliano back the dagger.
She reached the door he used at the side of the house and rapped on it hard. There was no answer. She tried again and waited. She had tried a third time and was about to walk away, but then she heard a brief noise, and the door swung open to show light and the bulk of a man behind it.
“Giuliano?” she said urgently.