Sheen on the Silk - Anne Perry [163]
She did not want to know if that thought was as sour to him as it was to her. He was Venetian. He must see it differently. She thought of the first Roman soldiers, marching in their legions to conquer the troublesome Jews. Could even the boldest of them have imagined one man from Judea would change the world forever? Over a thousand years later, the road was worn smooth with people, summer and winter, who believed that in some way they were following in Christ’s footsteps.
Were they, in any way that mattered?
Without having intended to, she looked quickly at Giuliano and found his eyes steady on hers. He smiled, and there was an intense gentleness in him. For a terrible instant, she thought he understood the real nature of her physical weakness; then she realized it was the confusion he read in her that moved him.
Anna smiled back and was surprised how lifted her spirits were, just to know he was there.
Sixty
FIVE DAYS LATER, THEY REACHED THE CREST OF THE SLOPE, legs aching, bodies weary. They had climbed almost three hundred feet since leaving Acre. There before them lay Jerusalem, spread out over the hills, all light and shadow. The sun-facing walls were blistered white, punctured by alleys like dark knife cuts, winding and impenetrable. The rooftops were flat, with here and there the smooth arc of a dome or the sudden, steep sides of a tower.
There were few trees, mostly the silver gray of olives or the dark irregularity of date palms. The huge, crenellated outer walls were unbroken, except for the great gates, now open and crowded by little antlike figures coming and going, tiny spots of color.
Anna stood beside Giuliano and stared in spite of herself, gasping with amazement. She looked at him quickly and saw the same wonder in his eyes.
The Arab signaled impatiently, and they began to move forward toward the Jaffa Gate, where pilgrims entered. As they came closer, the walls became enormous and pockmarked by time and erosion and the violence of siege. The gate itself was vast, like half a castle.
Men crowded outside it, dark-eyed, bearded, robes dusty from the ever creeping sand. They talked, gesticulating with their hands, arguing, haggling over an opinion or a price. A group of children played some game with small stones, throwing them up and catching them on the backs of their thin brown hands, making complicated patterns. A woman was beating a carpet, a cloud of dust rising. It was all so ordinary—daily life and a moment in eternity.
Then reality engulfed them again. There was money to pay, directions to ask, and accommodations to find before nightfall. Anna said good-bye to her traveling companions with real regret. They had shared too many simple, physical hardships for parting to be easy.
The safety of the journey was over; the danger of being too close, of betraying emotion or physical weakness, was past, at least for the time being. A different kind of loneliness was beginning.
They secured rooms at a hostelry. The first night Anna could barely sleep, tired as she was. The night was cold and the darkness full of strange noises and totally different odors from the ones she was accustomed to. The voices she heard were Arabic, Hebrew, and others she could not place. There was a mustiness in the air of closed streets, of animals, and of the dry, bitter smell of unfamiliar herbs. It was not unpleasant, but it left her feeling alien and uneasy.
She read again and again her instructions from Zoe. She must find a Jew by the name of Simcha ben Ehud. He knew where the painting was and would verify it, although Zoe had given instructions for Anna to look at it minutely also. The description was exact. She dared not fail. Not for an instant did she doubt that Zoe would take the first chance she had to use her power to destroy. Once she had the painting, she might well do it anyway. Anna had been naive to imagine she would be able to hand it over and walk away, safe because Zoe had promised. Between now and then, she would have to think of some