Sheen on the Silk - Anne Perry [178]
Michael’s face was pale under his black beard, but his expression did not change. He had led his people in exile; he knew war well and carried the scars of it on his body. He was prepared to pay the last, desperate price of compromising his religious faith to preserve his people. Michael Palaeologus, emperor of Byzantium and Equal of the Apostles, knew the taste of failure, defeat, and the art and cost of survival.
Palombara was touched with an amazement of pity for this very human man in his gorgeous robes and his still ruined palace. “Majesty,” he said humbly, “may I suggest a more final recognition of Byzantium’s union with Rome, one upon which no enemy, either through malice or stupidity, can cast doubt?”
Michael looked at him with cold suspicion. “What have you in mind, Bishop Palombara?”
Palombara found himself hesitating before he could force the words to his mouth. “Send to Rome the icon of the Holy Virgin that you carried above you as you entered into Constantinople after the exile,” he answered finally. “Let it come to Rome, as a symbol of the union of the two great Christian Churches of the world, willing to stand side by side against the tide of Islam rising around us. Then Rome will forever be mindful of you, and that you are the bastion of Christ against the infidel. And if we let you fall, then the enemies of God will be at our own gates.”
Michael was silent, but there was no anger, no will to fight the impossible or make a show of injured dignity. Michael was a realist. He was neatly caught. The irony of it was not lost on him, but he who had thought himself so clever was utterly out of his depth.
“Look after her well,” Michael answered at last. “She will not forgive you if you defile her. That is what you should fear, Palombara: not me, not Byzantium, nor even the connivings of Rome or the floods of Islam. Fear God, and the Holy Virgin.”
A week later, the ancient icon that had saved Byzantium centuries ago was delivered to the beautiful house where Palombara and Vicenze lodged. They stood in one of the large reception rooms and watched as it was unpacked in silence.
Vicenze was overwhelmed by Palombara’s success. He stood in the sunlight streaming in through the windows, and his pale face was bleak.
Looking at him, Palombara saw a rage and envy that was real.
Then, as Michael’s man worked on the packing, Palombara saw a new expression enter Vicenze’s face, a vision beyond his own failure to gain the icon.
The last wrapping fell away, and each man silently leaned closer to gaze on the somber, beautiful face and, as close to it as they were, the marks of time and weather visible in the minute cracks in the paint, the pinhole marks in the gold leaf. The banner itself was rubbed smooth by many hands, and the oil from human skin over the generations had polished the surfaces of the wood where it was held.
Vicenze opened his mouth to say something, then changed his mind. Palombara did not even look at him. The chill dreamlessness of Vicenze’s face would infuriate him.
It was simple enough to hire a ship. Palombara made the agreement with one of the many captains in the port of Constantinople. Vicenze oversaw the carter who was actually carrying the icon, which was even more carefully packed in an outer wooden crate. It was discreetly marked so they could identify it easily, but no one else could guess the contents.
They took little with them, not wanting to give notice to servants or the ever present watchers and listeners that they might not be returning for some time. In fact, it was possible they might be elevated to the cardinal’s purple and not return at all. Palombara regretted leaving behind some of the exquisite artifacts he had purchased while here, but it was necessary in order to create the illusion that he was merely visiting the dockside and would return before dusk.
However, as he arrived on the quay, he saw with disbelief their ship pull away. The water churned around the hull as it gathered speed,