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Ship of Ghosts - James D. Hornfischer [213]

By Root 1712 0
example out of four or five of them that I can name right now.” But some mellowed in the knowledge that bitterness and vigilante fantasies took a price. “When you harbor something like that over a period of years, it hurts you as much or more than the people you have these feelings against,” said Roy Offerle, who buried his brother in the jungle. “There’s no use in it. Really. There was a war. They did things wrong. Maybe other people had done things wrong. But I have no animosity, really.”

Once upon a time, Gus Forsman dreamed of revenge. Returning home to Iowa, he was eager to have another assignment, but the Navy couldn’t find his records. He restlessly tolerated the bureaucratic stasis for a while before demanding and getting a discharge, whereupon he enlisted in the Army. “I wanted to volunteer to go to Japan for one thing. I planned on beating some heads over there,” he said. The Navy knew his history in Asia and wouldn’t have let that happen. When the Army discovered his status as an ex-prisoner of war, it decided to keep him from getting into a situation that both he and Uncle Sam might regret. “They figured I’d go over there on a revenge deal,” he said. He wound up quietly retiring in 1964 before getting a recall four years later to go to Vietnam with the 269th Aviation Battalion, an assault helicopter outfit. Though he had a well-rooted case of post-traumatic stress disorder when he arrived in theater, it never kept him from doing his job. He earned a promotion to first sergeant.

Sixty years after the war, revenge was the farthest thing from Forsman’s gracious mind. At the USS Houston reunion in 2005, the final year of his life, he rolled through the halls of Houston’s Doubletree Allen Center just radiating warmth and cheer, happy to talk about what he had seen, endured, and done, and not in the least held back by the wheelchair he used or the oxygen cannula he wore. The hospitality room buzzed with shared memories, small talk between big hearts. A television set ran the latest documentary of interest, people poring over a large conference table full of rare historical documents, photographs, books and manuscripts. At the previous year’s gathering, the centerpiece on that table was a large transparent case holding a six-foot scale model of the Houston. The father and son who built it had no personal connection to the ship. They hauled it down from Ohio to show off their labor of love. Like all visitors who show up with a sincere interest, they are welcomed as family. Like the state of Texas itself, the Houston veterans and the “Next Generation” of their kin adopt new friends without formality.

The last veterans of the American Civil War were passing away as the veterans of World War II sank their roots into postwar life back home, beginning a new cycle of trauma and recovery. As this book nears publication, America is not far from looking at World War II just as it does at its Civil War—that is, without living participants to learn from. Too soon, the only available sources to study will be the written and recorded ones. No voices will be left, except those that are preserved on audio recordings by relatives with enough foresight and nostalgia—a rare combination of virtues—to do this service to history.

Historian Ronald Marcello’s three-decade quest to record and preserve the stories of the Death Railway while the memories that housed them were still fresh has produced a sprawling collection of interview transcripts that resides at the University of North Texas in Denton, the home turf of the old 131st Field Artillery. To immerse oneself in these stories of witness, most of whose tellers are long dead, is to touch the sentiment that moved Stephen Crane to write his 1896 short story “The Veteran,” about the gallant death of a Civil War veteran who, long after his war, ran into a burning building to save a pet:

When the roof fell in, a great funnel of smoke swarmed toward the sky, as if the old man’s mighty spirit, released from its body—a little bottle—had swelled like the genie of fable. The smoke was tinted

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