Shot in the Heart - Mikal Gilmore [144]
Then, a short time later—during the time that Gary was awaiting trial—something else happened that would end up making a difference in my life. On February 9, 1964 (which was also my thirteenth birthday, and the day I joined the Mormon priesthood), the Beatles made their first appearance on The Ed Sullivan Show. I was no stranger to rock & roll. My brothers had loved the music of Elvis Presley, Chuck Berry, Johnny Cash, Jerry Lee Lewis, Little Richard, and Fats Domino, and they played that music around our home constantly. Interestingly, my father—who, obviously, was no fan of youthful rebellion—also liked rhythm & blues and early rock & roll. It was one of the few pleasures he had never forbidden his sons. Looking back, I now see how the music of Presley and the others had helped represent and speak for my brothers’ insurgence: It was a hard-tempered rebellion, without an immediately apparent ideology. It was wonderful stuff, but by the time I was an adolescent, the spirit of that music had largely been spent, and rock & roll had lost much of its gift for galvanizing or symbolizing youthful upheaval.
The Beatles, of course, effectively changed all that. I didn’t know, of course, as I watched them on Sullivan that night, shaking their hair and singing “I Saw Her Standing There” and “She Loves You,” that what they were doing would open up for me a relation to the world and a doorway to the future that my family was helpless to match. All I knew right then was that I liked them, and like millions of other kids, I felt they belonged to me and my time. Later, I would like the Beatles even more because they seemed such a departure from the world of my brothers, and because my brothers could not abide them.
Looking back, I realize now how incongruous these two associations were. Like many things teenage, and most things rock & roll, the Beatles were about sex and pushing or raising limits; you might even say they were about disruption and revolution. The Mormons were about freedom and salvation through order and authority; they did not abide non-marital sexuality, nor progressive culture or politics. In time, the contradictions between these two devotions would become apparent and I would have to make a choice. But in those days I was hungry for anything that resembled a direction, a way out of the curse that I already saw as my family’s lot. Rock & roll and the Mormons—each in important ways—helped give me that direction. In fact, I think the confluence of the two probably saved my life. In religion and rock & roll I would find a sense of community, where before I’d known none. I also found a sense of cause, of moral purpose. Interestingly, it was rock & roll that would end up serving me better over the years, and that would do a better job of illuminating the modern landscape of paradise lost and found. But it was still a few years before I would choose a life with the sinners over one with the saints. For the time being, I was happy to mingle with both.
GAYLEN HAD BEEN IN AND OUT OF JAIL HIMSELF throughout this time. It was generally for