Signs of Change [47]
so as to make the labour of them trifling, that should be taken as a token that the supposed advantages gained by them were not worth the trouble and had better be given up. All this to my mind would be the outcome of men throwing off the burden of Artificial Famine, supposing, as I cannot help supposing, that the impulses which have from the first glimmerings of history urged men on to the practice of Art were still at work in them.
Thus and thus only CAN come about the new birth of Art, and I think it WILL come about thus. You may say it is a long process, and so it is; but I can conceive of a longer. I have given you the Socialist or Optimist view of the matter. Now for the Pessimist view.
I can conceive that the revolt against Artificial Famine or Capitalism, which is now on foot, may be vanquished. The result will be that the working class--the slaves of society--will become more and more degraded; that they will not strive against overwhelming force, but, stimulated by that love of life which Nature, always anxious about the perpetuation of the race, has implanted in us, will learn to bear everything--starvation, overwork, dirt, ignorance, brutality. All these things they will bear, as, alas! they bear them too well even now; all this rather than risk sweet life and bitter livelihood, and all sparks of hope and manliness will die out of them.
Nor will their masters be much better off: the earth's surface will be hideous everywhere, save in the uninhabitable desert; Art will utterly perish, as in the manual arts so in literature, which will become, as it is indeed speedily becoming, a mere string of orderly and calculated ineptitudes and passionless ingenuities; Science will grow more and more one-sided, more incomplete, more wordy and useless, till at last she will pile herself up into such a mass of superstition, that beside it the theologies of old time will seem mere reason and enlightenment. All will get lower and lower, till the heroic struggles of the past to realize hope from year to year, from century to century, will be utterly forgotten, and man will be an indescribable being--hopeless, desireless, lifeless.
And will there be deliverance from this even? Maybe: man may, after some terrible cataclysm, learn to strive towards a healthy animalism, may grow from a tolerable animal into a savage, from a savage into a barbarian, and so on; and some thousands of years hence he may be beginning once more those arts which we have now lost, and be carving interlacements like the New Zealanders, or scratching forms of animals on their cleaned blade-bones, like the pre-historic men of the drift.
But in any case, according to the pessimist view, which looks upon revolt against Artificial Famine as impossible to succeed, we shall wearily trudge the circle again, until some accident, some unforeseen consequence of arrangement, makes an end of us altogether.
That pessimism I do not believe in, nor, on the other hand, do I suppose that it is altogether a matter of our wills as to whether we shall further human progress or human degradation; yet, since there are those who are impelled towards the Socialist or Optimistic side of things, I must conclude that there is some hope of its prevailing, that the strenuous efforts of many individuals imply a force which is thrusting them on. So that I believe that the "Aims of Art" will be realized, though I know that they cannot be, so long as we groan under the tyranny of Artificial Famine. Once again I warn you against supposing, you who may specially love art, that you will do any good by attempting to revivify art by dealing with its dead exterior. I say it is the AIMS OF ART that you must seek rather than the ART ITSELF; and in that search we may find ourselves in a world blank and bare, as the result of our caring at least this much for art, that we will not endure the shams of it.
Anyhow, I ask you to think with me that the worst which can happen to us is to endure tamely the evils that we see; that no trouble or turmoil is so bad as that; that
Thus and thus only CAN come about the new birth of Art, and I think it WILL come about thus. You may say it is a long process, and so it is; but I can conceive of a longer. I have given you the Socialist or Optimist view of the matter. Now for the Pessimist view.
I can conceive that the revolt against Artificial Famine or Capitalism, which is now on foot, may be vanquished. The result will be that the working class--the slaves of society--will become more and more degraded; that they will not strive against overwhelming force, but, stimulated by that love of life which Nature, always anxious about the perpetuation of the race, has implanted in us, will learn to bear everything--starvation, overwork, dirt, ignorance, brutality. All these things they will bear, as, alas! they bear them too well even now; all this rather than risk sweet life and bitter livelihood, and all sparks of hope and manliness will die out of them.
Nor will their masters be much better off: the earth's surface will be hideous everywhere, save in the uninhabitable desert; Art will utterly perish, as in the manual arts so in literature, which will become, as it is indeed speedily becoming, a mere string of orderly and calculated ineptitudes and passionless ingenuities; Science will grow more and more one-sided, more incomplete, more wordy and useless, till at last she will pile herself up into such a mass of superstition, that beside it the theologies of old time will seem mere reason and enlightenment. All will get lower and lower, till the heroic struggles of the past to realize hope from year to year, from century to century, will be utterly forgotten, and man will be an indescribable being--hopeless, desireless, lifeless.
And will there be deliverance from this even? Maybe: man may, after some terrible cataclysm, learn to strive towards a healthy animalism, may grow from a tolerable animal into a savage, from a savage into a barbarian, and so on; and some thousands of years hence he may be beginning once more those arts which we have now lost, and be carving interlacements like the New Zealanders, or scratching forms of animals on their cleaned blade-bones, like the pre-historic men of the drift.
But in any case, according to the pessimist view, which looks upon revolt against Artificial Famine as impossible to succeed, we shall wearily trudge the circle again, until some accident, some unforeseen consequence of arrangement, makes an end of us altogether.
That pessimism I do not believe in, nor, on the other hand, do I suppose that it is altogether a matter of our wills as to whether we shall further human progress or human degradation; yet, since there are those who are impelled towards the Socialist or Optimistic side of things, I must conclude that there is some hope of its prevailing, that the strenuous efforts of many individuals imply a force which is thrusting them on. So that I believe that the "Aims of Art" will be realized, though I know that they cannot be, so long as we groan under the tyranny of Artificial Famine. Once again I warn you against supposing, you who may specially love art, that you will do any good by attempting to revivify art by dealing with its dead exterior. I say it is the AIMS OF ART that you must seek rather than the ART ITSELF; and in that search we may find ourselves in a world blank and bare, as the result of our caring at least this much for art, that we will not endure the shams of it.
Anyhow, I ask you to think with me that the worst which can happen to us is to endure tamely the evils that we see; that no trouble or turmoil is so bad as that; that