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Silent Screams - C. E. Lawrence [14]

By Root 1315 0
who shrank from him, averting their eyes as he approached.

“Let me tell you something,” he said, his voice lowered to a steely calm. “If you don’t get back to work right this minute, some heads are going to roll around here. Do you understand me?” he said, addressing himself to a young sergeant, Jeff Peters.

“Yes, sir,” Peters replied, his blunt face sulky. He was short and black-haired and built like a prizewinning Angus.

Chuck felt his face redden. “I didn’t hear you, Peters!”

“Yes, sir.”

“And you, O’Connell—do you have anything to say to me?”

“No, sir.” Danny O’Connell was a tall, skinny redhead who followed any lead that Peters set. Chuck knew this, and knew that the rest of them were just playing along. One of the rules of group dynamics—which functioned in station houses exactly as it did in high school locker rooms—was to make fun of others to deflect the possibility that others might make fun of you. Peters was the ringleader, as usual, and Chuck knew he had a mean streak. He came from an unstable home, had a drunken failure for a father, and was angry at the world. Chuck put his face close to Peters’s face, so close that he could smell his wintergreen aftershave.

“Or maybe you wanted to transfer out of Homicide? Because that could be arranged.”

“No, sir.”

“You sure about that?”

“Yes, sir.”

“Then you’d better keep your nose clean. You understand me?”

“Yes, sir.”

Chuck took a look around the station to see that he had things under control. He was satisfied with the results. Everyone was looking at him with respect tinged with fear, and that was the way he wanted it. There would be opportunities for joking later, for loosening the reins a bit, but what he needed now was respect. He glanced at Peters one last time and stalked back into his office, being sure to slam the door behind him.

Once inside, he closed the venetian blinds and sank into his chair. Being in command was part theatrics, part intimidation, and part setting an example. He didn’t enjoy the theatrics or the intimidation, but he dreaded even more losing control of his men. Once that happened, he knew, you might as well turn in your badge.

He was not a natural leader—he knew that. At Princeton, Lee was always the alpha male, and Chuck had been happy with his role as sidekick. But then a miracle had happened: he had finally attracted the attention of Susan Beaumont, the most glamorous and beautiful woman he had ever known. For a long time she seemed to have fixed her sights on Lee, and then they had broken up and she was pursuing him. Even now it seemed like a dream from which he would awaken someday, but until then, he had resolved to do everything in his power to keep her interested. Being a lowly policeman would not do for the likes of her, so he set his eyes on precinct commander—and he made it, though it was not a natural fit. Chuck Morton was tailor-made to be second-in-command. He was diligent, honest, and intelligent, but not especially imaginative or charismatic. Still, he worked hard—harder than anyone would ever know—to get what he wanted, to please Susan, to make her proud of him.

And now here he was, commander of the Bronx Major Case Unit. It was a demanding job, especially now, after what had happened on the southern tip of Manhattan just a few short months ago. Everyone was jittery, and his men looked to him to set an example. And by God, he would set one if it killed him.

He looked out the window at the soot-covered sill, where a pigeon pecked away at some invisible scraps. He wished there was something he could do to take away his friend’s pain, but he knew that the demons dancing in Lee’s soul were beyond anyone’s reach. But at least he could keep the men from making fun of his friend behind his back. He looked down at his empty coffee mug—he had forgotten to fill it. He sighed and leaned back in his chair. He knew that to go back out there now would spoil the dramatic effect of his stormy exit. The coffee would have to wait.


Lee Campbell stepped out of the police station into the dismal dog days of February, that

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