Silk - Caitlin R. Kiernan [134]
“You don’t know,” Spyder said, like a sentence handed down, final judgment, you don’t know, and she picked up the washcloth again, went to the sink, steaming water over glass and china shards, the window over the sink fogged opaque, and then she went back to Byron.
“I don’t know how to help you,” and Niki was crying now, hating herself for it, but she could not be this tired and scared, scared for her and Spyder, for them both separate and together, and not cry. Spyder began rubbing at the stubborn stain again, and already the kitchen was beginning to smell like death, sweet putrid death like bad meat and wilted flowers. Like breakdown, patient decay, disintegration.
“You can’t help me. This isn’t about you. Everything isn’t about you, Niki,” and Niki turned and ran, through the house and back to their bedroom, threw herself down on the bed and gave in to the tears, the exhaustion and rage. Her own madness inside and the certainty that Spyder was right; nothing she could do but intrude, act more like Spyder’s nursemaid than her lover, or sit back and watch, wait for this shit to play itself out. She found Spyder’s Klonopin on the floor by her side of the bed, pastel blue tablets inside amber plastic, had to wrestle a moment with the childproof cap: she swallowed one of the pills and put them back, wrapped her arms tight around Spyder’s pillow, heavy feather pillow and its dingy lemon-yellow pillowcase, as if cotton and the musky stink of old feathers could be Spyder. And she closed her eyes and cried herself to sleep.
4.
A long dream of candlelight on earthen walls and Jackson Square, the girl with her tarot deck again, but still Niki didn’t see the whole spread, that card, dream within a dream toward the end, that night on the beach in North Carolina, the strange girl named Jenny Dare, and Niki woke up slow, drifted up from the smell of salt spray and fish and the girl’s wet clothes. Groggy and her mouth too dry, headache, and then she remembered taking the Klonopin, that this must be what the doctor had called “rebound,” like a hangover from the long benzodiazepine sleep. And then she remembered it all and wished she could close her eyes and forget again. Instead, she sat up, dizzy, and so she leaned against the headboard and stared at the windows; not dark yet, but dusk, almost night.
Someone had undressed her—no, not someone, Spyder—had gotten her out of the bulky army coat, and it hung on a bedpost now, and there was quiet music playing on the portable CD player, Dead Can Dance, cellos and violins, Lisa Gerrard’s calming, ethereal vocals; the covers had been pulled up around her.
She could hear the television playing, too, a game show filtered through the walls. She stood up, cautious, distrusting her throbbing head, her rubbery arms and legs. No wonder Spyder hated taking this shit so much.
She turned off the music, set on repeat and no telling how many times the album had played through, getting into her sleep, coloring her dreams. The house was freezing, and she guessed Spyder had turned off the heat. Niki slipped the coat on, zipped it closed, and went to find Spyder.
Spyder had not put on warmer clothes, too hot from the hours of work and finally she had stripped off the T-shirt and jeans, sat on the kitchen floor now wearing nothing but her boxers, sweat drying on her pale skin. Watching Byron on the table, the package he had become, wrapped up tight. She’d started with plain white thread, four big spools she’d found in an old sewing box that had been her mother’s, round and round his face after she’d stuffed the empty eye sockets with cotton wads from Tylenol bottles. And then she used the other colors, black and red and bright Kelly green, and she’d had to switch to yarn, orange and gold the color of grain around his narrow shoulders, and after that nylon fishing line and torn bed sheets and tape, whatever she could find, incorporated into the binding.
She’d been thorough, and no glimpse of skin showed through. His raggedy, filthy clothes were