Silk Is For Seduction - Loretta Chase [25]
But he was not slain, not by half.
“You’re prompt,” she said.
“I never keep a lady waiting,” he said.
“But I’m not a lady,” she said.
“Are you not? Well, then, you’re a conundrum. Are you ready? Or would you prefer a glass of something first, to fortify yourself for the ordeal?”
“I’m as fortified as I need to be,” she said. She rose and made a sweeping arc with her hand, drawing his attention to her attire.
He supposed a woman would have a name for it. To him it was a dress. He knew that the sleeves would have their own special name—à la Taglioni or à la Clotilde or some equally nonsensical epithet, comprehensible only to women. Their dresses were all the same to him: swelling in the sleeves, billowing out in the skirts, and tight in the middle. It was the style women had been wearing throughout his adulthood.
Her dress was made of silk, in an odd, sandy color he would have thought bland had he seen the cloth in a shop. But it was trimmed with puffy red bows, and they seemed like flowers blooming in a desert. Then there was black lace, yards of it, dripping like a waterfall over her smooth shoulders and down the front, under a sash, down over her belly.
He made a twirling gesture with his finger. Obligingly she turned in a complete circle. She moved as effortlessly and gracefully as water, and the lace about her shoulders floated in the air with the movement.
When she finished the turn, though, she didn’t pause but walked on toward the carriage. He walked on with her.
“What is that dreadful color?” he said.
“Poussière,” she said.
“Dust,” he said. “I congratulate you, madame. You’ve made dust alluring.”
“It’s not an easy color to wear,” she said. “Especially for one of my complexion. True poussière would make me appear to be suffering from a liver disease. But this silk has a pink undertone, you see.”
“How can I make you understand?” he said. “I don’t see these things.”
“You do,” she said. “What you lack is the vocabulary. You said it’s alluring. That is the pink undertone, which flatters my complexion, and the magnificent blond lace, close to my face, is even more flattering as well as adding drama.”
“It’s black,” he said. “Noir, not blond.”
“Blond lace is a superior silk lace,” she said. “It doesn’t mean the color.”
This exchange took them to the carriage. He had braced himself for a continuation of last night’s battle, but she behaved as though they were old friends, which disarmed and bothered him at the same time. Too, he was so preoccupied with the nonsense of blond referring to every color under the sun that he almost forgot to look at her ankles.
But instinct saved him, and he came to his senses in the nick of time. As she went up the steps and took her seat, she gave him a fine view of some six inches of stockinged, elegantly curving limb, from the lower part of her calf down.
Last night came back in a dark surge of recollection, more feeling than thought, that sent heat pumping through him. He saw himself bending and grasping one slim ankle and bringing her foot onto his lap and sliding his gloved hand up her leg, up and up and up . . .
Later, he promised himself, and climbed into the carriage.
A short time later
“I hope you will do me the kindness of allowing me to present Madame Noirot, a London dressmaker of my acquaintance,” the Duke of Clevedon said to his hostess.
For a time, the noise about them continued. But about the instant the Comtesse de Chirac realized she hadn’t misunderstood the duke’s less-than-perfect French and that he had actually uttered the words London dressmaker in her presence and referring to the uninvited person beside him, the news was traveling the ballroom, and a silence spread out like ripples from the place where a large rock had landed in a small pond.
Madame de Chirac’s posture grew even tighter and stiffer—though that seemed anatomically impossible—and her chilly grey gaze hardened to steel. “I do not understand English humor,