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“I’ll just go down Broadway,” he said to himself.

When he reached Forty-second Street, the fire signs were already blazing brightly. Crowds were hastening to dine. Through bright windows, at every corner, might be seen gay companies in luxuriant restaurants. There were coaches and crowded cable cars.

In his weary and hungry state, he should never have come here. The contrast was too sharp. Even he was recalled keenly to better things.

“What’s the use?” he thought. “It’s all up with me. I’ll quit this.”

People turned to look after him, so uncouth was his shambling figure. Several officers followed him with their eyes, to see that he did not beg of anybody.

Once he paused in an aimless, incoherent sort of way and looked through the windows of an imposing restaurant, before which blazed a fire sign, and through the large, plate windows of which could be seen the red and gold decorations, the palms, the white napery, and shining glassware, and, above all, the comfortable crowd. Weak as his mind had become, his hunger was sharp enough to show the importance of this. He stopped stock still, his frayed trousers soaking in the slush, and peered foolishly in.

“Eat,” he mumbled. “That’s right, eat. Nobody else wants any.”

Then his voice dropped even lower, and his mind half lost the fancy it had.

“It’s mighty cold,” he said. “Awful cold.”

At Broadway and Thirty-ninth Street was blazing, in incandescent fire, Carrie’s name. “Carrie Madenda,” it read, “and the Casino Company.” All the wet, snowy sidewalk was bright with this radiated fire. It was so bright that it attracted Hurstwood’s gaze. He looked up, and then at a large, gilt-framed posterboard, on which was a fine lithograph of Carrie, life-size.

Hurstwood gazed at it a moment, snuffling and hunching one shoulder, as if something were scratching him. He was so run down, however, that his mind was not exactly clear.

“That’s you,” he said at last, addressing her. “Wasn’t good enough for you, was I? Huh!”

He lingered, trying to think logically. This was no longer possible with him.

“She’s got it,” he said, incoherently, thinking of money. “Let her give me some.”

He started around to the side door. Then he forgot what he was going for and paused, pushing his hands deeper to warm the wrists. Suddenly it returned. The stage door! That was it.

He approached that entrance and went in.

“Well?” said the attendant, staring at him. Seeing him pause, he went over and shoved him. “Get out of here,” he said.

“I want to see Miss Madenda,” he said.

“You do, eh?” the other said, almost tickled at the spectacle. “Get out of here,” and he shoved him again. Hurstwood had no strength to resist.

“I want to see Miss Madenda,” he tried to explain, even as he was being hustled away. “I’m all right. I—”

The man gave him a last push and closed the door. As he did so, Hurstwood slipped and fell in the snow. It hurt him, and some vague sense of shame returned. He began to cry and swear foolishly.

“God damned dog!” he said. “Damned old cur,” wiping the slush from his worthless coat. “I—I hired such people as you once.”

Now a fierce feeling against Carrie welled up—just one fierce, angry thought before the whole thing slipped out of his mind.

“She owes me something to eat,” he said. “She owes it to me.”

Hopelessly he turned back into Broadway again and slopped onward and away, begging, crying, losing track of his thoughts, one after another, as a mind decayed and disjointed is wont to do.

It was truly a wintry evening, a few days later, when his one distinct mental decision was reached. Already, at four o’clock, the sombre hue of night was thickening the air. A heavy snow was falling—a fine picking, whipping snow, borne forward by a swift wind in long, thin lines. The streets were bedded with it—six inches of cold, soft carpet, churned to a dirty brown by the crush of teams and the feet of men. Along Broadway men picked their way in ulsters and umbrellas. Along the Bowery, men slouched through it with collars and hats pulled over their ears. In the former