Sisters in the Wilderness - Charlotte Gray [171]
It was a joy for me to rely once again on the professional advice of my agent, Jan Whitford, and to return to Penguin Books, and the careful attention of Meg Masters. Ramsay Derry, my editor, brought a sharp pencil and a sharper eye to my manuscript, and improved it in more ways than I care to admit. I would like to thank Catherine Marjoribanks for being a dream copy-editor, Susan James for her time-consuming work on production, and Laura Brady for the imaginative design of the book. Jeanne Simpson knew exactly what I meant when I asked for “maps that tell a story,” and she created four wonderful examples. She also produced the elegant illustrations of Reydon Hall and Middleton Square.
I always enjoy walking into any of the great Ottawa repositories of national memory and discovering not only the treasures they house, but also the enthusiasm and knowledge of their staff. Both Brian Murphy and Jennifer Mueller were a pleasure to work with at the National Archives of Canada; at the National Library of Canada, Michel Brisebois searched out letters and rare books for me; the staff at the Parliamentary Library tracked down obscure titles and entries in biographical dictionaries. I was particularly thrilled to discover that the Canadian Museum of Nature had in its collection many of Catharine Parr Traill’s botanical specimen books. Mike J. Shchepanek, chief collection manager, botany section, and Micheline B. Bouchard shared my excitement as we turned the pages, and they explained to me the strengths and weaknesses of Catharine’s approach to natural history.
In England, I should like to thank Mr. LeGrys for opening Reydon Hall, Suffolk, to me, and my friend Tosh Potts for joining me on research trips in Southwold and London. In Canada, I would like to thank David Staines, Dean of Arts at the University of Ottawa, for supplying me with the New Canadian Library editions of Catharine’s and Susanna’s most important books. I am grateful to Gerry Boyce, who shared his extensive knowledge of Belleville with me, and to Betsy Boyce, who guided me through the photographic archives of the Hastings County Museum. Three people in the Peterborough area went out of their way to provide me with assistance: Connie Thompson at Hutchison House, and Jean Cole and Kathy Hooke, who fleshed out my knowledge of Stony Lake. Kathy Hooke generously sent me maps, photos and booklets and read the Stony Lake chapter for me. In Ottawa, Liz Kane walked me round her house in New Edinburgh, where Catharine stayed in 1884 as a guest of her niece Agnes Fitzgibbon.
Much of the fun of writing this double biography came from discussions with friends and new acquaintances about the sisters. Norman Hilmer and Christopher Moore helped me with historical background. Ann Schteir discussed nineteenth-century natural history with me. Designer Paddye Mann helped me imagine what the women would have looked like and how they dressed. Clara Thomas shared her astringent (and well-informed) views on which sister would have been the most likable. Roger Hall gave me reading lists and good advice on how to deal with the value of money in the nineteenth century. Fay Sharman gave me expert advice on both sailing and plant life. Jennifer Southam allowed me to talk through my ideas as we walked. Sheila Williams, Chaviva Hosek, Barbara Uteck, Wendy Bryant, Maureen Boyd, Cathy Behan, Kyle McRobie and Judith Moses all once again convinced me that there is considerable public interest in how women in any century live their lives. Ernest Hillen convinced me that I could write a book about these two particular women. And several others gave me and my family the kind of support that allowed me to stay in my third-floor study for hours on end: they include Violeta Bonales-Hollmann, Christie Murray, Katie Plaunt, Gloria Cardoza, Monic Charlebois and Wayne McAlear.
My parents generously