Six Bad Things_ A Novel - Charlie Huston [110]
They want to meet where the money is, but I tell them no chance. I tell them we’ll meet someplace public, they’ll let T go, and I’ll take them to the money. They like that idea because it means they get the money and me. We decide to do it at the hotel. They’re calling from a pay phone outside a supermarket. Sandy gives them directions and the name of the guy at the front desk. He’ll set them up with a room, and then they’ll call us and we’ll do the swap.
After I get off the phone Sandy goes down to the front desk to pay for the extra day on our room and to tell her guy that some friends of hers will be coming in.
I make my call.
—Who the hell are Rolf and Sid, Henry, and why are they leaving you messages?
It should have been obvious, I guess. He gave me the phone after all, so of course he has the code to retrieve all the messages Rolf and Sid left for me.
—More to the point, what are they doing talking about my money?
—Take it easy, Dylan.
—Don’t. Don’t even start, Henry. I have been very patient with you, treated you like a professional, and where has it gotten us? You blow off the deadlines for two progress reports, and when I investigate your absence I discover you have been receiving calls from people who seem to be trying to make a deal for my money. And who are these people? No, don’t answer that because I think I know. Sid, I gather, would be the Sidney Cain the authorities are looking for, and Rolf is most likely the nameless gentleman whose sketch is now being circulated. Are these your allies, Henry? Are these the kind of subcontractors you have employed? If so, and I am certain that it is so, I can only call your judgment questionable. No, pardon me, I am being sarcastic, let me be more blunt. You’re fucked-up! You are completely fucked-up and you are pushing me and your parents very close to the fucking edge!
—I have the money, Dylan.
—Where?
—Here.
—Here being Las Vegas, if I am to believe the news reports?
—That’s right.
—Well it is Friday night, Henry. Don’t you think you should be rushing my money to me?
—I can’t
—Why not?
—Because my picture is on the TV, Dylan, and I can’t really travel much.
—What do you propose?
—Come and get it.
I give him the address where I plan to be and hang up.
I try to make myself see this ending with my parents still alive.
I snort two fat lines of crank to give me an edge, and eat a Perc to keep from feeling anything.
All I have to do now is kill everybody.
ROLF CALLS my cell from their room and tells me the number. I tuck the Anaconda and the 9 mm in my pants and give Sandy the keys to the Chrysler and tell her to wait here for fifteen minutes and then leave if I’m not back.
—Where?
—A lawyer, go to a lawyer and tell your story.
—And then what?
—You didn’t do anything. If they’re any good, they’ll get you out of trouble and sell your story to Fox. So just find a good lawyer.
I open the door to go to Rolf and Sid’s room.
The problem is, Sandy didn’t tell her guy at the desk not to give Rolf and Sid our room number, which is why Sid is standing right outside our door, shoving his .45 in my face and forcing me back into the room.
SID STILL isn’t talking to me. I open my mouth to say something, and he shakes his head, and I close it. He looks disappointed in me.
He takes my guns and makes Sandy and me lie side by side on the floor in the little space between the beds. He sits in the room’s only chair and watches us. Sandy is shaking. I put a hand on the back of her head.
I should have sent her to the car right after she came back up from the desk, but she took forever to get her shit together and get dressed. I should have known they’d have something planned. That’s me, three steps behind, as usual. There’s a tap on the door. Rolf. Pissed again.
He grabs me by my hair and drags me out from between the beds. Sandy whimpers and clutches at me, but Rolf yanks me free and she wriggles under one of the beds. I get to my hands and knees, crawling as he leads me around the room by my hair.
—Dude, you are so fucking lame.
—Cool it, Rolf.