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Six Graves to Munich - Mario Cleri [54]

By Root 190 0
the Munich Palace of Justice he walked through the courtyard, turning his head so that he would not see the interior wall against which the bodies had been stacked on that terrible day long ago. Leaving the courtyard, he walked down the main avenue where his chauffeured limousine waited to take him to his home for lunch.

The detective guard sat in the front with the chauffeur, and von Osteen smiled with amusement. The guard would be almost no protection against a determined assassin, merely another victim. When the car rolled into the driveway of his home he noticed that his house guard had been increased. They would help. It would force the assassin to make his attempt somewhere else, and Marcia would be safe.

His wife was waiting for him in the dining room. The table was set with white napery that had a faint tinge of blue in the curtained light. The silver sparkled, and the bowls of bright flowers were arranged with the skill of an artist. He said jokingly to his wife, “Marcia, I wish the food were as good as the setting.” She made a face of mock displeasure. “Always the judge,” she said.

Looking at his wife, von Osteen thought, Would she believe in my guilt if it all came out? And he knew that if he denied everything she would believe him. She was twenty years his junior, but she truly loved him. Of that he had no doubts. Von Osteen ran his hand over his face. The surgery had been excellent, the best available in Germany, but close up the many scars and seams in his flesh were clearly visible. He wondered if that was why she kept the rooms curtained against too bright a light and the lamps dim.

After lunch she made him lie down on the sitting room sofa for an hour’s rest. She took a seat opposite him, a book in her lap.

Klaus von Osteen closed his eyes. He could never confess to his wife; she believed in him. And after all, he had received his punishment. A few weeks after Rosenmontag, 1945, a shell had fragmented his face. He had always accepted his terrible wound without bitterness, for in his mind it atoned for the crime he had committed against the young American agent in the Munich Palace of Justice.

How could he explain to anyone that as a staff officer, a nobleman, a German, he had come to recognize the degradation of his country, its dishonor. And like a man who is married to a drunkard and who decides to become a drunkard himself to show his love for her, so he, too, had become a torturer and a murderer to remain a German. But had it really been that simple?

In those years since the war he had lived a truly good life, and it had been natural to him. As a judge he had been humane, never cruel. He had left his past behind him. The records of the Munich Palace of Justice had been carefully destroyed; and up until a few weeks ago he had felt little remorse for his wartime cruelties.

Then he had learned of Pfann and Moltke being killed, and the Freisling brothers too. A week ago the American Intelligence officer Arthur Bailey had come to his home and told him about Michael Rogan. Rogan had murdered the men who had been von Osteen’s underlings in the Munich Palace of Justice when he had been a judge without the sanction of law. Von Osteen remembered Michael Rogan. They had not killed him after all.

Arthur Bailey had reassured him. Rogan would never accomplish his final murder, American Intelligence would see to that. They would also keep von Osteen’s war atrocities a secret. Von Osteen knew what this meant. If he ever came to political power in West Germany he would be subject to blackmail by American Intelligence.

Lying on the sofa he reached out to touch his wife, not opening his eyes. It was only when he learned that Rogan was alive that Von Osteen began to dream about him. He had nightmares of Rogan leaning over him, the back of his skull bleeding, the blood dripping onto von Osteen’s face. He had nightmares of a phonograph record blaring out the screams of Rogan’s young wife.

What was the truth? Why had he tortured Rogan and then killed him? Why had he recorded the screams of that pretty girl dying

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