Sixty days and counting - Kim Stanley Robinson [93]
Diane nodded as he tried to express these mixed feelings. She pointed out the lion statues surrounding Ulysses S. Grant in front of the Capitol: “See, they’re Disney lions!”
“Like the ones on the Connecticut Avenue bridge.”
“I wonder which came first, Disney or these guys?”
“These must have, right?”
“I don’t know. Disney lions have looked the same at least since Dumbo.”
“Maybe Disney came here and saw these.”
Within a week or so they had worked up a new traditional walk together. One afternoon as they drank their coffee, Diane suggested they return to work by way of a pass through the National Gallery annex; and there they found a Frederic Church exhibit. “Hey!” Frank said, and then had to lie a little bit, explaining that he had learned about Church on Mount Desert Island, long ago. As they walked through he remembered his intense time on the island, which he now saw through the eyes of the painter who had invented rusticating. His paintings were superb, far better than Bierstadt or Homer or any other American landscape artist Frank had ever seen. Church had been able to put an almost photorealist technique in the service of a Transcendentalist eye; it was the visionary, sacred landscape of Emerson and Thoreau, right there on the walls of the National Gallery. “My God,” Frank said more than once. This was also the time of Darwin and Humboldt; indeed the wall-sized “Heart of the Andes,” fifteen feet high and twenty wide, stood there like some stupendous PowerPoint slide illustrating all of natural selection at once, both data and theory.
“My—God.”
“It’s like the IMAX movie of its time,” Diane said.
In the rooms beyond they saw Church travel and grow old, and become almost hallucinogenic in his coloring, like Galen Rowell after he discovered Fujichrome. These were the best landscape paintings Frank had ever seen. A giant close-up of the water leaping off the lip of Niagara Falls; the Parthenon at sunset; waves striking the Maine coast; every scene leaped off the wall, and Frank goggled at them. Diane laughed at him, but he could not restrain himself. How had he never been exposed to such an artist as this? What was American education anyway, that they could all grow up and not be steeped in Emerson and Thoreau and Audubon and Church? It was like inheriting billions and then forgetting it.
Then Diane put her hand to his arm and directed him out of the gallery and back toward their new office. Back into the blackened old building, if not arm in arm, then shoulder to shoulder.
Their meeting that evening had to do with the latest from Antarctica, compiled by NSF’s Antarctic division from the austral summer just past.
Much of the research had been devoted to trying to determine how much of the West Antarctic Ice Sheet might come off, and how fast it would happen. The abstract of the summary made it clear that the several big ice streams that ran like immense glaciers