Sketches in Lavender, Blue and Green [78]
my eyes in vain.
But this I do know, that the rumbling stones of that ancient Abbey, between which and the foam fringe of the ocean the town of seven towers once lay, now stand upon a wave-washed cliff, and that he who looks forth from its shattered mullions to-day sees only the marshland and the wrinkled waters, hears only the plaint of the circling gulls and the weary crying of the sea.
And that God's anger is not everlasting, and that the evil that there is in men shall be blotted out, he who doubts may also learn from the wisdom of the simple fisher-folk, who dwell about the borders of the marsh-land; for they will tell him that on stormy nights there speaks a deep voice from the sea, calling the dead monks to rise from their forgotten graves, and chant a mass for the souls of the men of the town of seven towers. Clothed in long glittering white, they move with slowly pacing feet around the Abbey's grass-grown aisles, and the music of their prayers is heard above the screaming of the storm. And to this I also can bear witness, for I have seen the passing of their shrouded forms behind the blackness of the shattered shafts; I have heard their sweet, sad singing above the wailing of the wind.
Thus for many ages have the dead monks prayed that the men of the town of seven towers may be forgiven. Thus, for many ages yet shall they so pray, till the day come when of their once fair Abbey not a single stone shall stand upon its fellow; and in that day it shall be known that the anger of God against the men of the town of seven towers has passed away; and in that day the feet of the waters shall move back, and the town of seven towers shall stand again upon the dry land.
There be some, I know, who say that this is but a legend; who will tell you that the shadowy shapes that you may see with your own eyes on stormy nights, waving their gleaming arms behind the ruined buttresses are but of phosphorescent foam, tossed by the raging waves above the cliffs; and that the sweet, sad harmony cleaving the trouble of the night is but the aeolian music of the wind.
But such are of the blind, who see only with their eyes. For myself I see the white-robed monks, and hear the chanting of their mass for the souls of the sinful men of the town of seven towers. For it has been said that when an evil deed is done, a prayer is born to follow it through time into eternity, and plead for it. Thus is the whole world clasped around with folded hands both of the dead and of the living, as with a shield, lest the shafts of God's anger should consume it.
Therefore, I know that the good monks of this nameless Abbey are still praying that the sin of those they love may be forgiven.
God grant good men may say a mass for us.
DRIFTWOOD
CHARACTERS
MR. TRAVERS. MRS. TRAVERS. MARION [their daughter]. DAN [a gentleman of no position].
SCENE: A room opening upon a garden. The shadows creep from their corners, driving before them the fading twilight.
MRS. TRAVERS sits in a wickerwork easy chair. MR. TRAVERS, smoking a cigar, sits the other side of the room. MARION stands by the open French window, looking out.
MR. TRAVERS. Nice little place Harry's got down here.
MRS. TRAVERS. Yes; I should keep this on if I were you, Marion. You'll find it very handy. One can entertain so cheaply up the river; one is not expected to make much of a show. [She turns to her husband.] Your poor cousin Emily used to work off quite half her list that way--relations and Americans, and those sort of people, you know--at that little place of theirs at Goring. You remember it--a poky hole I always thought it, but it had a lot of green stuff over the door--looked very pretty from the other side of the river. She always used to have cold meat and pickles for lunch--called it a picnic. People said it was so homely and simple.
MR. TRAVERS. They didn't stop long, I remember.
MRS. TRAVERS. And there was a special champagne she always kept for the river--only twenty-five shillings a dozen, I think she told me she paid for
But this I do know, that the rumbling stones of that ancient Abbey, between which and the foam fringe of the ocean the town of seven towers once lay, now stand upon a wave-washed cliff, and that he who looks forth from its shattered mullions to-day sees only the marshland and the wrinkled waters, hears only the plaint of the circling gulls and the weary crying of the sea.
And that God's anger is not everlasting, and that the evil that there is in men shall be blotted out, he who doubts may also learn from the wisdom of the simple fisher-folk, who dwell about the borders of the marsh-land; for they will tell him that on stormy nights there speaks a deep voice from the sea, calling the dead monks to rise from their forgotten graves, and chant a mass for the souls of the men of the town of seven towers. Clothed in long glittering white, they move with slowly pacing feet around the Abbey's grass-grown aisles, and the music of their prayers is heard above the screaming of the storm. And to this I also can bear witness, for I have seen the passing of their shrouded forms behind the blackness of the shattered shafts; I have heard their sweet, sad singing above the wailing of the wind.
Thus for many ages have the dead monks prayed that the men of the town of seven towers may be forgiven. Thus, for many ages yet shall they so pray, till the day come when of their once fair Abbey not a single stone shall stand upon its fellow; and in that day it shall be known that the anger of God against the men of the town of seven towers has passed away; and in that day the feet of the waters shall move back, and the town of seven towers shall stand again upon the dry land.
There be some, I know, who say that this is but a legend; who will tell you that the shadowy shapes that you may see with your own eyes on stormy nights, waving their gleaming arms behind the ruined buttresses are but of phosphorescent foam, tossed by the raging waves above the cliffs; and that the sweet, sad harmony cleaving the trouble of the night is but the aeolian music of the wind.
But such are of the blind, who see only with their eyes. For myself I see the white-robed monks, and hear the chanting of their mass for the souls of the sinful men of the town of seven towers. For it has been said that when an evil deed is done, a prayer is born to follow it through time into eternity, and plead for it. Thus is the whole world clasped around with folded hands both of the dead and of the living, as with a shield, lest the shafts of God's anger should consume it.
Therefore, I know that the good monks of this nameless Abbey are still praying that the sin of those they love may be forgiven.
God grant good men may say a mass for us.
DRIFTWOOD
CHARACTERS
MR. TRAVERS. MRS. TRAVERS. MARION [their daughter]. DAN [a gentleman of no position].
SCENE: A room opening upon a garden. The shadows creep from their corners, driving before them the fading twilight.
MRS. TRAVERS sits in a wickerwork easy chair. MR. TRAVERS, smoking a cigar, sits the other side of the room. MARION stands by the open French window, looking out.
MR. TRAVERS. Nice little place Harry's got down here.
MRS. TRAVERS. Yes; I should keep this on if I were you, Marion. You'll find it very handy. One can entertain so cheaply up the river; one is not expected to make much of a show. [She turns to her husband.] Your poor cousin Emily used to work off quite half her list that way--relations and Americans, and those sort of people, you know--at that little place of theirs at Goring. You remember it--a poky hole I always thought it, but it had a lot of green stuff over the door--looked very pretty from the other side of the river. She always used to have cold meat and pickles for lunch--called it a picnic. People said it was so homely and simple.
MR. TRAVERS. They didn't stop long, I remember.
MRS. TRAVERS. And there was a special champagne she always kept for the river--only twenty-five shillings a dozen, I think she told me she paid for