Song of Susannah - Stephen King [30]
Susannah picked up the mike, saw no way to use it, closed her eyes again, and imagined a toggle-switch like the one-marked with AWAKE and ASLEEP, only this time on the side of the mike. When she opened her eyes again, the switch was there. She pressed it.
“Eddie,” she said. She felt a little foolish, but went on, anyway. “Eddie, if you hear me, I’m okay, at least for the time being. I’m with Mia, in New York. It’s June first of 1999, and I’m going to try and help her have the baby. I don’t see any other choice. If nothing else, I have to be rid of it myself. Eddie, you take care of yourself. I…” Her eyes welled with tears. “I love you, sugar. So much.”
The tears spilled down her cheeks. She started to wipe them away and then stopped herself. Didn’t she have a right to cry for her man? As much right as any other woman?
She waited for a response, knowing she could make one if she wanted to and resisting the urge. This wasn’t a situation where talking to herself in Eddie’s voice would do any good.
Suddenly her vision doubled in front of her eyes. She saw the Dogan for the unreal shade that it was. Beyond its walls were not the deserty wastelands on the east side of the Whye but Second Avenue with its rushing traffic.
Mia had opened her eyes. She was feeling fine again—thanks to me, honeybunch, thanks to me—and was ready to move on.
Susannah went back.
* * *
Four
A black woman (who still thought of herself as a Negro woman) was sitting on a bench in New York City in the spring of ’99. A black woman with her traveling bags—her gunna—spread around her. One of them was a faded red. NOTHING BUT STRIKES AT MIDTOWN LANES was printed on it. It had been pink on the other side. The color of the rose.
Mia stood up. Susannah promptly came forward and made her sit down again.
What did you do that for? Mia asked, surprised.
I don’t know, I don’t have a clue. But let’s us palaver a little. Why don’t you start by telling me where you want to go?
I need a telefung. Someone will call.
Telephone, Susannah said. And by the way, there’s blood on our shirt, sugar, Margaret Eisenhart’s blood, and sooner or later someone’s gonna recognize it for what it is. Then where will you be?
The response to this was wordless, a swell of smiling contempt. It made Susannah angry. Five minutes ago—or maybe fifteen, it was hard to keep track of time when you were having fun—this hijacking bitch had been screaming for help. And now that she’d gotten it, what her rescuer got was an internal contemptuous smile. What made it worse was that the bitch was right: she could probably stroll around Midtown all day without anyone asking her if that was dried blood on her shirt, or had she maybe just spilled her chocolate egg-cream.
All right, she said, but even if nobody bothers you about the blood, where are you going to store your goods? Then another question occurred to her, one that probably should have come to her right away.
Mia, how do you even know what a telephone is? And don’t tell me they have em where you came from, either.
No response. Only a kind of watchful silence. But she had wiped the smile off the bitch’s face; she’d done that much.
You have friends, don’t you? Or at least you think they’re friends. Folks you’ve been talking to behind my back. Folks that’ll help you. Or so you think.
Are you going to help me or not? Back to that. And angry. But beneath the anger, what? Fright? Probably that was too strong, at least for now. But worry, certainly. How long have I—have we—got before the labor starts up again?
Susannah guessed somewhere between six and ten hours—certainly before midnight saw in June second—but tried to keep this to herself.
I don’t know. Not all that long.
Then we have to get started. I have to find a telefung. Phone. In a private place.
Susannah thought there was a hotel at the First Avenue end of Forty-sixth Street, and tried to keep this to herself. Her eyes went back to the bag, once pink, now red, and suddenly she understood.