Song of Susannah - Stephen King [97]
Ole Honky Freud, Detta went on, he say in lots of ways de subconscious or unconscious mind smarter dan de one on top. Cut through de bullshit faster dan de one on top. An maybe yours understand what I been tellin you all along, that yo’ frien Sayre nothin but a lyin rat-ass muhfuh goan steal yo baby and, I dunno, maybe cut it up in dis bowl and den feed it to the vampires like dey was dawgs an dat baby nuffin but a big-ass bowl o’ Alpo or Purina Vampire Ch —
Shut up! Shut up your lying face!
Out at the basins, the birdy-women laughed so shrilly that Mia felt her eyeballs shiver and threaten to liquefy in their sockets. She wanted to rush out and seize their heads and drive them into the mirrors, wanted to do it again and again until their blood was splashed all the way up to the ceiling and their brains —
Temper, temper, said the woman inside, and now it sounded like Susannah again.
She lies! That bitch LIES!
No, Susannah replied, and the conviction in that single short word was enough to send an arrow of fear into Mia’s heart. She says what’s on her mind, no argument there, but she doesn’t lie. Go on, Mia, turn your shirt inside out.
With a final eye-watering burst of laughter, the birdy-women left the bathroom. Mia pulled the shirt off over her head, baring Susannah’s breasts, which were the color of coffee with just the smallest splash of milk added in. Her nipples, which had always been as small as berries, were now much larger. Nipples craving a mouth.
There were only the faintest maroon spots on the inside of the shirt. Mia put it back on, then unbuttoned the front of her jeans so she could tuck it in. Susannah stared, fascinated, at the point just above her pubic thatch. Here her skin lightened to a color that might have been milk with the smallest splash of coffee added in. Below were the white legs of the woman she’d met on the castle allure. Susannah knew that if Mia lowered her jeans all the way, she’d see the scabbed and scratched shins she had already observed as Mia—the real Mia—looked out over Discordia toward the red glow marking the castle of the King.
Something about this frightened Susannah terribly, and after a moment’s consideration (it took no longer), the reason came to her. If Mia had only replaced those parts of her legs that Odetta Holmes had lost to the subway train when Jack Mort pushed her onto the tracks she would have been white only from the knees or so down. But her thighs were white, too, and her groin area was turning. What strange lycanthropy was this?
De body-stealin kind, Detta replied cheerfully. Pretty soon you be havin a white belly…white breas’s…white neck…white cheeks…
Stop it, Susannah warned, but when had Detta Walker ever listened to her warnings? Hers or anybody’s?
And den, las’ of all, you have a white brain, girl! A Mia brain! And won’t dat be fahn? Sho! You be all Mia den! Nobody give you no shit if you want to ride right up front on de bus!
Then the shirt was drawn over her hips; the jeans were again buttoned up. Mia sat down on the toilet ring that way. In front of her, scrawled on the door, was this graffito: BANGO SKANK AWAITS THE KING!
Who is this Bango Skank? Mia asked.
I have no idea.
I think… It was hard, but Mia forced herself. I think I owe you a word of thanks.
Susannah’s response was cold and immediate. Thank me with the truth.
First tell me why you’d help me at all, after I…
This time Mia couldn’t finish. She liked to think of herself as brave—as brave as she had to be in the service of her chap, at least—but this time she couldn’t finish.
After you betrayed the man I love to men who are, when you get right down to it, footsoldiers of the Crimson King? After you decided it would be all right for them to kill mine so long as you could keep yours? Is that what you want to know?
Mia hated to hear it spoken of that way, but bore it. Had to bear it.
Yes, lady, if you like.
It was the other one who replied