Sons and Lovers (Barnes & Noble Classics - D. H. Lawrence [106]
“Where have you seen me?” Paul asked of the woman.
She looked at him as if she would not trouble to answer. Then:
“Walking with Louie Travers,” she said.
Louie was one of the “Spiral” girls.
“Why, do you know her?” he asked.
She did not answer. He turned to Miriam.
“Where are you going?” he asked.
“To the Castle.”
“What train are you going home by?”
“I am driving with father. I wish you could come too. What time are you free?”
“You know not till eight to-night, damn it!”
And directly the two women moved on.
Paul remembered that Clara Dawes was the daughter of an old friend of Mrs. Leivers. Miriam had sought her out because she had once been Spiral overseer at Jordan‘s, and because her husband, Baxter Dawes, was smith for the factory, making the irons for cripple instruments, and so on. Through her Miriam felt she got into direct contact with Jordan’s, and could estimate better Paul’s position. But Mrs. Dawes was separated from her husband, and had taken up Women’s Rights.2 She was supposed to be clever. It interested Paul.
Baxter Dawes he knew and disliked. The smith was a man of thirty-one or thirty-two. He came occasionally through Paul’s corner—a big, well-set man, also striking to look at, and handsome. There was a peculiar similarity between himself and his wife. He had the same white skin, with a clear, golden tinge. His hair was of soft brown, his moustache was golden. And he had a similar defiance in his bearing and manner. But then came the difference. His eyes, dark brown and quick-shifting, were dissolute. They protruded very slightly, and his eyelids hung over them in a way that was half hate. His mouth, too, was sensual. His whole manner was of cowed defiance, as if he were ready to knock anybody down who disapproved of him—perhaps because he really disapproved of himself.
From the first day he had hated Paul. Finding the lad’s impersonal, deliberate gaze of an artist on his face, he got into a fury.
“What are yer lookin’ at?” he sneered, bullying.
The boy glanced away. But the smith used to stand behind the counter and talk to Mr. Pappleworth. His speech was dirty, with a kind of rottenness. Again he found the youth with his cool, critical gaze fixed on his face. The smith started round as if he had been stung.
“What‘r yer lookin’ at, three hap’orth o’ pap?”dl he snarled.
The boy shrugged his shoulders slightly.
“Why yer——!” shouted Dawes.
“Leave him alone,” said Mr. Pappleworth, in that insinuating voice which means, “He’s only one of your good little sops who can’t help it.”
Since that time the boy used to look at the man every time he came through with the same curious criticism, glancing away before he met the smith’s eye. It made Dawes furious. They hated each other in silence.
Clara Dawes had no children. When she had left her husband the home had been broken up, and she had gone to live with her mother. Dawes lodged with his sister. In the same house was a sister-in-law, and somehow Paul knew that this girl, Louie Travers, was now Dawes’s woman. She was a handsome, insolent hussy, who mocked at the youth, and yet flushed if he walked along to the station with her as she went home.
The next time he went to see Miriam it was Saturday evening. She had a fire in the parlour, and was waiting for him. The others, except her father and mother and the young children, had gone out, so the two had the parlour together. It was a long, low, warm room. There were three of Paul’s small sketches on the wall, and his photo was on the mantelpiece. On the table and on the high old rosewood piano were bowls