Sophie's Choice - William Styron [22]
Apropos of which, I took a scrap of paper from my pocket. On it I had scribbled the names of the six other tenants in the house. Each name had been affixed on small cards by the orderly Yetta and attached to the respective doors, and with motive no more suspect than my usual rapacious curiosity I had late the night before, tiptoed about the floors and copied the names down. Five of the occupants were on the floor above, the other in the room opposite me, across the hallway. Nathan Landau, Lillian Grossman, Morris Fink, Sophie Zawistowska, Astrid Weinstein, Moishe Muskatblit. I loved these names for nothing other than their marvelous variety, after the Cunninghams and Bradshaws I had been brought up with. Muskatblit I fancied for a certain Byzantine flavor. I wondered when I would get to know Landau and Fink. The three female names had stirred my intense interest, especially Astrid Weinstein, who was in fascinating proximity across the hall. I was mulling all this over when I was made suddenly aware—in the room directly over my head—of a commotion so immediately and laceratingly identifiable, so instantly, to my tormented ears, apparent in its nature that I will avoid what in a more circumlocutory time might have required obliqueness of suggestion, and take the liberty of saying that it was the sound, the uproar, the frenzy of two people fucking like crazed wild animals.
I looked up at the ceiling in alarm. The lamp fixture jerked and wobbled like a puppet on a string. Roseate dust sifted down from the plaster, and I half expected the four feet of the bed to come plunging through. It was terrifying—no mere copulatory rite but a tournament, a rumpus, a free-for-all, a Rose Bowl, a jamboree. The diction was in some form of English, garbled and exotically accented, but I had no need to know the words. What resulted was impressionistic. Male and female, the two voices comprised a cheering section, calling out such exhortations as I had never heard. Nor had I ever listened to such goads to better effort—to slacken off, to push on, to go harder, faster, deeper—nor such huzzahs over gained first downs, such groans of despair over lost yardage, such shrill advice as to where to put the ball. And I could not have heard it more clearly had I been wearing special earphones. Clear it was, and of heroic length. Unending minutes the struggle seemed to last, and I sat there sighing to myself until it was suddenly over and the participants had gone, literally, to the showers. The noise of splashing water and giggles drifted down through the flimsy ceiling, then there were padding footsteps, more giggles, the sharp smack of what sounded like a playful paw upon a bare bottom and finally, incongruously, the ravishing sweet heartbeat of the slow movement of Beethoven’s Fourth Symphony from a phonograph. Distraught, I went to the medicine chest and took an Alka-Seltzer.
Shortly after I returned to my table I realized that now in the same room above a spirited argument was in progress. It had come with phenomenal speed, this dark and stormy mood. I couldn’t hear the words, due to some acoustical quirk. As with the marathon venery just completed, I could hear the action in almost baroque detail but the speech stayed muffled and indistinct, so I got the impression of shuffling angry feet, chairs wrenched around impatiently, banged doors, and voices rising in rage uttering words I was only partly able to comprehend. The male’s voice was dominant—a husky and furious baritone that all but drowned out the limpid Beethoven. By contrast the voice of the female seemed plaintive, defensive, growing shrill at moments as if in fright but generally submissive with an undertone of pleading.