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By Root 12447 0

as little children do. A few pedestrians straggled past them, homeward bound in the dusk; one, an elderly man bundled up against the wind, clumsily bumped Jan, who made an impudent gesture with his hand, then strolled on with his sister, deep in his chat, explaining... explaining. He had gone to fetch Eva from her flute lesson—a haphazard, sometimes quite sudden and impromptu affair (depending on daily pressures) held in a gutted basement a dozen blocks away. The teacher, a man named Stefan Zaorski, had been a flutist with the Warsaw Symphony, and Sophie had had to cajole and flatter and plead in order to get him to take Eva as a student; aside from the money that Sophie could pay, a pitiful amount, there was little incentive for a dispossessed musician to give lessons in that stark and cheerless city—there were better (although mainly illegal) ways to earn one’s bread. He was seriously crippled with arthritis in both knees, which didn’t help things. But Zaorski, a man still youngish and a bachelor, had a crush on Sophie (as did so many men who saw her and became instantly moonstruck), and doubtless agreed in order to be able to delight in her fair beauty from time to time. Also, Sophie had been energetically, quietly insistent, ultimately persuasive, convincing Zaorski that she could not consider raising Eva without giving her a knowledge of music. One might as well just say no to life itself.

The flute. The enchanted flute. In a city of destroyed or tuneless pianos it would seem a fine instrument for a child’s first leap into music. Eva was mad for the flute, and after four months or so Zaorski had begun to dote on the little girl, amazed at her natural gift, fussed over her as if she were a prodigy (which she might have been), another Landowska, another Paderewski, another Polish offering to music’s pantheon—and finally even refused the trifling amount that Sophie was able to pay. Zaorski popped up now down on the street, appearing as if from nowhere, astonishingly, like a blond genie—a half-starved-looking, limping, florid-faced, broomstraw-haired man with jittery concern in his pale eyes. The woolen sweater he wore, a sooty green, was a mosaic of moth holes. Sophie, startled, leaned forward against the window. The generous, neurotic man had obviously followed Eva, or rather, chased as well as he could after the children, hurrying these many blocks out of some preoccupation or reason which Sophie could not possibly divine. Then all of a sudden his mission became clear. Ever the passionate pedagogue, he had hobbled after Eva in order to correct, or explain, or elaborate on something he had taught her in her most recent lesson—a matter of fingering or phrasing—what? Sophie didn’t know, but she was both touched and amused.

She pushed the window open slightly in order to call down to the group, now huddled near the entrance of the building next door. Eva wore her yellow hair in pigtails. She had lost her front teeth. How, Sophie wondered, could she play a flute? Zaorski had made Eva open her leather case and remove the flute; he flourished it aloft in front of the child, not blowing on it but merely demonstrating some soundless arpeggio with his fingers. Then he put his lips to the instrument and blew several notes. For a long moment Sophie was unable to hear. Huge shadows swept across the wintry heavens. Overhead a squadron of Luftwaffe bombers droned deafeningly eastward toward Russia, flying very low—five, ten, then twenty monster machines spreading their vulturous shapes against the sky. They came late every afternoon as if on schedule, shaking the house with clattering vibrations. Wanda’s voice was drowned out in their roar.

When the planes had passed, Sophie looked down and was able to hear Eva play, but only for the barest instant. The music was familiar but unnameable—Handel, Pergolesi, Gluck?—an intricate sweet trill of piercing nostalgia and miraculous symmetry. A dozen notes in all, no more, they struck antiphonal bells deep within Sophie’s soul. They spoke of all she had been, of all she longed to be—and all