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Sophie's Choice - William Styron [61]

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of a mausoleum, where rosy cupids simpered from the walls down upon a grand piano in fire-engine red and overstuffed chairs glistening beneath protective shrouds of transparent plastic, and where the porcelain bathroom fixtures were jet-black. Later, in the Cadillac Fleetwood with its huge monogram on the front doors—HB—Sophie watched in fascination as the doctor made use of his mobile telephone, installed only recently for a few select customers on an experimental basis, and in Blackstock’s hands, a surpassing implement of love. Later she recalled the dialogue—his part of it, at any rate—as he made contact with his St. Albans abode. “Sylvia sweetness, this is Hymie. Loud and clear you read me? I love you, darling pet. Kisses, kisses, darling. The Fleetwood’s now on Liberty Avenue passing just now Bayside Cemetery. I adore you, darling. Here’s a kiss for my darling. (Smack, smack!) Back in a few. minutes, sweetness.” And a short while later: “Sylvia darling, this is Hymie. I adore you, my darling pet. Now the Fleetwood is at the intersection of Linden Boulevard and Utica Avenue. What a fantastic traffic jam! I kiss you, my darling. (Smack, smack!) I send you many, many kisses. What? You say you’re going shopping in New York? Buy something beautiful to wear for Hymie, my beautiful sweetness. I love you, my darling. Oh, darling, I forgot, take the Chrysler. The Buick’s got a busted fuel pump. Over and out, darling pet.” And then with a glance at Sophie, stroking the receiver: “What a sensational instrument of communication!” Blackstock was a truly happy man. He adored Sylvia more than life itself. Only the fact that he was childless, he once told Sophie, kept him from being absolutely the happiest man on earth...

As will be seen in due course (and the fact is important to this narrative), Sophie told me a number of lies that summer. Perhaps I should say she indulged in certain evasions which at the time were necessary in order for her to retain her composure. Or maybe her sanity. I certainly don’t accuse her, for from the point of view of hindsight her untruths seem fathomable beyond need of apology. The passage a while back about her early life in Cracow, for example—the soliloquy which I have tried to transcribe as accurately as I have been able to remember it—is, I am now certain, made up mostly of the truth. But it contained one or two significant falsehoods, along with some crucial lacunae, as will eventually be made clear. As a matter of fact, reading back through much of what I have written so far, I note that Sophie told me a lie within moments after we first set eyes on each other. This was when, after the ghastly fight with Nathan, she leveled upon me her look of desperation and declared that Nathan was “the only man I have ever made love to beside my husband.” Although unimportant, that statement was not true (much later she admitted it to me, confessing that after her husband was shot by the Nazis—a truth—she had had a lover in Warsaw), and I bring the matter up not out of any priggish insistence on absolute veracity but to indicate Sophie’s guarded approach to sex. And thus to suggest at this point the difficulty she had in telling Blackstock about the fearful malaise which had overtaken her, and which she felt must be the result of her rape in the subway.

She squirmed at the idea of revealing her secret—even to Blackstock, a professional man and, moreover, a person in whom she knew she could confide. The loathsomeness of what had happened to her was something that even twenty months at the camp—with its daily, inhuman degradation and nakedness—could not make her feel less befouled. Indeed, she now felt even more helplessly befouled because she had thought of Brooklyn as “safe,” and furthermore, her shame was anything but lessened by the fact that she was Catholic and Polish and a child of her time and place—that is to say, a young woman brought up with puritanical repressions and sexual taboos as adamantine as those of any Alabama Baptist maiden. (It would take Nathan, she told me later, Nathan with his liberated

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