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By Root 12383 0

would have been satisfying to think that my employment was terminated because of the Kon-Tiki episode. But the decline of my fortunes at McGraw-Hill began with the arrival of a new editor in chief, whom I secretly called the Weasel—a near-anagram of his actual surname. The Weasel had been brought in to give to the place some much-needed tone. At that time he was chiefly known in the publishing business for his association with Thomas Wolfe, having become Wolfe’s editor after he left Scribner and Maxwell Perkins, and following the writer’s death, having helped assemble into some sort of sequential and literary order the colossal body of work which remained unpublished. Although the Weasel and I were both from the South—a connection which in the alien surroundings of New York more often than not tends initially to cement the relationship of Southerners—we took an immediate dislike to each other. The Weasel was a balding, unprepossessing little man in his late forties. I don’t know exactly what he thought of me—doubtless the snotty, free-wheeling style of my manuscript reports had something to do with his negative reaction—but I thought him cold, remote, humorless, with the swollen ego and unapproachable manner of a man who has fatuously overvalued his own accomplishments. In the staff editorial conferences he was fond of uttering such locutions as “Wolfe used to say to me...” Or, “As Tom wrote to me so eloquently just before his death...”

His identification with Wolfe was so complete that it was as if he were the writer’s alter ego—and this was excruciating to me, since like countless young men of my generation I had gone through the throes of Wolfe-worship, and I would have given all I had to spend a chummy, relaxed evening with a man like the Weasel, pumping him for fresh new anecdotes about the master, voicing phrases like “God, sir, that’s priceless!” at some marvelous yarn about the adored giant and his quirks and escapades and his three-ton manuscript. But the Weasel and I utterly failed to make contact. Among other things, he was rigorously conventional and had quickly accommodated himself to McGraw-Hill’s tidy, colorless and arch-conservative mold. By contrast, I was still very much feeling my oats, in every sense of that expression, and had to bring a facetious attitude not only to the whole idea of the editorial side of book publishing, which my fatigued eyes now saw plainly as lusterless drudgery, but to the style, customs and artifacts of the business world itself. For McGraw-Hill was, after all, in spite of its earnest literary veneer, a monstrous paradigm of American business. And so with a cold company man like the Weasel at the helm, I knew that it was not long before trouble must set in and that my days were numbered.

One day, soon after he assumed command, the Weasel called me into his office. He had an oval, well-larded face and tiny, unfriendly, somewhat weasel-like eyes which it seemed impossible to me had gained the confidence of anyone so responsive to the nuances of physical presence as Thomas Wolfe. He beckoned me to sit down, and after uttering a few strained civilities came directly to the point, namely, my clear failure within his perspective to conform to certain aspects of the McGraw-Hill “profile.” It was the first time I had ever heard that word used other than as a description of the side view of a person’s face, and as the Weasel spoke, moving up to specifics, I grew increasingly puzzled over where I might have failed, since I was certain that good old Farrell had not spoken ill of me or my work. But it turned out that my errors were both sartorial and, tangentially at least, political.

“I notice that you don’t wear a hat,” the Weasel said.

“A hat?” I replied. “Why, no.” I had always been lukewarm about headgear, feeling only that hats had their place. Certainly, since leaving the Marine Corps two years before, I had never thought of hat-wearing as a compulsory matter. It was my democratic right to choose, and I had given the idea no further thought until this moment.

“Everyone at McGraw-Hill