Southampton Row - Anne Perry [134]
Half an hour later he was knocking on the door of Appletree Cottage. It was dark and he could see the lights on through the cracks in the curtains at the window. He had met no one else on the road except one man in a dray cart, from whom he had asked directions. Now he stood on the step, acutely aware of the intense darkness around him, the sharp smell of the wind off the open stretch of the moor he could no longer see away to the north. It was no more than a denser black against the occasional stars. It was a different world from the city, and he felt alien to it, at a loss to know what to do or how to cope. There was no one else to turn to. Pitt had entrusted him with rescuing the women and children. How on earth was he going to be equal to it? He had no idea what to do!
“Who is it?” a voice demanded from behind the door.
It was Gracie. His heart leaped.
“It’s me!” he shouted, then added self-consciously, “Tellman!”
He heard bolts withdrawn and the door open with a crash, showing a candlelit interior with Gracie standing in the doorway and Charlotte just behind her, the poker from the fireplace hanging loosely in her hand. Nothing could have told him more vividly that something had frightened them far more than the mere knocking on the door of a stranger.
He saw the fear and the question in Charlotte’s face.
“Mr. Pitt’s all right, ma’am,” he said in answer to it. “Things are hard, but he’s quite safe.” Should he tell her about Wray’s death and all that had happened? There was nothing she could do about it. It would only worry her when she should be concerned with herself, and escaping from here. And should he even tell them how urgent that was? Was it his job to protect them from fear, as well as actual physical danger?
Or would lying by omission make them act less urgently? He had thought about that on the train, and vacillated one way and then the other, making up his mind, and as quickly unmaking it.
“Why are yer ’ere, then?” Gracie’s voice cut across his thoughts. “If nothin’s wrong, why aren’t yer in the city doin’ yer job? ’Oo killed the ghosty woman? Yer get that all sorted?”
“No,” he answered, moving inside to allow her to close the door. He looked at her pale, set face and the rigidity of her body inside her hand-me-down country dress, and he had to fight to keep the emotion down, stop it from tightening his throat until he couldn’t get the words out. “Mr. Pitt’s working on it. There’s been another death he needs to prove isn’t suicide.”
“So why aren’t yer doin’ summink about it, too?” Gracie was far from satisfied. “Yer look like summink the cat drug in. Wot’s the matter wif yer?”
He could see she was going to fight him all the way. It was infuriating, and yet so characteristic of her he felt tears sting his eyes. This was ridiculous! He should not allow her to do this to him!
“Mr. Pitt isn’t satisfied this is a safe place for you,” he said tartly. “Mr. Voisey knows where you are, and I’m to take you somewhere else straightaway. There’s probably no danger, but best be safe.” He saw the fear in Charlotte’s face and knew that for all Gracie’s bravado, they were just as aware as Pitt that the danger was real. He swallowed. “So if you’ll get the children up and dressed we’ll go tonight, while it’s dark. Doesn’t stay long, this time of year. We need to be well out of the area in three or four hours, because it’ll be daylight by then.”
Charlotte stood motionless. “Are you sure Thomas is all right?” Her voice was sharp, edged with doubt, her eyes wide.
If he told her, it would relieve Pitt from having to try to find a way when they finally got back to London. And perhaps it would ease her physical fear for him. Voisey would never damage him now, he was too precious alive, to watch him suffer.
“Samuel!” Gracie demanded sharply.
“Well, he is and he isn’t,” he replied. “Voisey’s made it look like it was Mr. Pitt’s fault that this man committed suicide, and he was a churchman, very well liked.