Southampton Row - Anne Perry [45]
Pitt had grown up the son of the gamekeeper on Sir Arthur Desmond’s country estate. His parents were servants; his father had been accused and found guilty of poaching and deported, wrongly, Pitt believed. The passion of that conviction had never changed. But he had not been hungry for more than a day, nor walked in danger of attack, except by the boys his own age. A few bruises were his worst affliction, and the odd very sore backside from the head gardener, richly deserved.
In silence they passed the infants’ burial place. There was too much to say, and nothing at all.
“He has a telephone,” he said at last as they turned into Harrison Street.
“What?” Tellman had been lost in his own thoughts.
“Kingsley has a telephone,” Pitt repeated.
“You called him?” Tellman was startled.
“No, I looked him up,” Pitt explained.
Tellman blushed hotly. He had never thought of a private person’s owning one, although he knew Pitt did. Perhaps one day he could afford it, and maybe even have to, but not yet. Promotion was still fresh and raw to him, uncomfortable as a new collar. It did not fit—most especially with Pitt dogging his footsteps every day, and taking his first case from him, it abraded the tender skin.
They continued side by side until they reached Kingsley’s house and were admitted. They were shown through a rather dark, oak-paneled hall hung with pictures of battles on three of the walls. There was no time to look at the brass plates beneath them to see which ones they were. At a glance, most of them looked roughly Napoleonic. One appeared to be a burial. It had more emotion than the others, and better interest of light and shadow, a sense of tragedy in the huddled outline of the bodies. Perhaps it was Moore after Corunna.
The morning room was rigidly masculine also, greens and browns, lots of leather and bookcases with heavy, uniform volumes. On the farther wall hung a variety of African weapons, assegais and spears. They were dented and scarred with use. There was a fine but rather stylized bronze of a hussar on the central table. The horse was beautifully wrought.
When the butler had gone Tellman gazed around with interest, but no sense of comfort. The room belonged to a man of a social class and a discipline alien to him and representing all he had been brought up to resent. One experience in particular had forced him to see a retired army officer as human, vulnerable, even to be deeply admired, but he still regarded that as an exception. The man who owned this room and whose life was mirrored in the pictures and furnishings was eccentric to say the least, almost a contradiction in conceptions. How could anyone who had done that most hideously practical of things, leading men in war, have so lost his grasp on reality as to be consulting a woman who claimed she spoke to ghosts?
The door opened and a tall, rather gaunt man came in. His face had an ashen look, as if he were ill. His hair was clipped short and his mustache was little more than a dark smudge over his upper lip. He stood straight, but it was the habit of a lifetime which kept him so, not any inner vitality.
“Good morning, gentlemen. My butler tells me you are from the police. What may I do for you?” There was no surprise in his voice. Possibly he had read of Maude Lamont’s death in the newspapers.
Pitt had already decided not to mention his connection with Special Branch. If he said nothing of it, Kingsley would assume he was with Tellman.
“Good morning, General