Spin State - Chris Moriarty [175]
It took him twenty hours to put the keys together. Hours she slept through in a desperate attempt to hoard her energy for their final push. It was late morning of the third day after her awakening when she lay down on the couch Arkady had dragged into the lab for her, closed her eyes, jacked in, and found herself alone in a featureles white room.
“You may have to hunt for the door a bit,” Cohen said at her shoulder. “I haven’t quite got that sorted out yet.” He had a smaller, thinner feeling than usual, she thought. And when she looked around, sure enough, there was Hyacinthe, shoes slung over his shoulders, standing a hair shorter than her in his socks. “The door,” he said insistently.
She turned and saw a gleaming, intricately carved mahogany door. More of a window than a door, really; its sill was set into the wall at about knee level, and even Li had to duck her head to clear the lintel.
“Go on,” Cohen said.
It was so bright on the other side that it took a moment for her eyes to clear. She stood in a five-cornered courtyard. Arcades bright with mosaics surrounded her. Beyond the walls she glimpsed the knife-edged mountains of a dry country.
She heard the sound of running water and felt cold spray on her face before she saw the fountain. The water poured from a shallow stone shelf as if rising from a spring and riffled down a long sloping stair that ran to the other end of the great courtyard. Li followed the water’s course down to a shadowy portico whose mosaics glinted like eyes in the occasional stray sunbeam. The watercourse ended in a narrow reflecting pool that emptied mysteriously into who knew what. Li stepped across the pool and walked along the portico, her heels clicking on the pavement. She came to a door and opened it.
A riot of smell and color swept over her. She stood in a long, high-ceilinged hall paved with spiral patterns of marble tesserae. Bright flowers rocketed out of vases painted with rampant lions and romping, grinning dragons. Cabinets lined the walls, their polished glass fronts filled with books, fossils, photographs, playing cards. As she started down the hall, something moved in her peripheral vision. She jumped around—only to realize that one of the painted dragons was tapping its scaled feet and winking at her. She shook her head and snorted. Hyacinthe laughed.
One side of the hall opened onto a high terrace, and when she looked out she could see the stony ramparts of a crusader’s castle digging their feet into the face of a mountainside that dropped away for miles above a long, green windswept valley. She stepped to the balustrade and leaned out over the void. The stone under her hand felt as hot as if it had been warming under the afternoon sun, but when she looked to the sky it seemed to be morning—the fresh, cool morning of a fall day.
The heat was in the stone, she realized, part of the teeming life the place radiated. Was this all Cohen? The castle? The mountain? This whole world, wherever and whatever it was? She leaned out farther, squinting down the dizzying fall of buttress and mountain, trying to see where the active code stopped and the backdrop started. Instinctively, she dropped out of VR and into the numbers.
Her head spun. The world twisted and rippled around her. Numbers came at her too fast for her to feel them as anything but blinding, paralyzing, dizzying pain. This was a system never designed for human interface, a system never designed at all except in its earliest, most distant beginnings. It wasn’t as alive as a human—the constant chant of the AI–civil-rights proponents—it was more alive.