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Star Wars_ Splinter of the Mind's Eye - Alan Dean Foster [94]

By Root 568 0
of the slender assassin’s knife before it vanished somehow into the Noghri’s sleeve. His hand closed, then opened again, steel-wire muscles moving visibly beneath his dark gray skin. “You may enter.”

“Thank you,” Pellaeon growled. Straightening his tunic again, he turned back to the door. It opened at his approach, and he stepped through—

Into a softly lit art museum.

He stopped short, just inside the room, and looked around in astonishment. The walls and domed ceiling were covered with flat paintings and planics, a few of them vaguely human-looking but most of distinctly alien origin. Various sculptures were scattered around, some freestanding, others on pedestals. In the center of the room was a double circle of repeater displays, the outer ring slightly higher than the inner ring. Both sets of displays, at least from what little Pellaeon could see, also seemed to be devoted to pictures of artwork.

And in the center of the double circle, seated in a duplicate of the Admiral’s Chair on the bridge, was Grand Admiral Thrawn.

He sat motionlessly, his shimmery blue-black hair glinting in the dim light, his pale blue skin looking cool and subdued and very alien on his otherwise human frame. His eyes were nearly closed as he leaned back against the headrest, only a glint of red showing between the lids.

Pellaeon licked his lips, suddenly unsure of the wisdom of having invaded Thrawn’s sanctum like this. If the Grand Admiral decided to be annoyed.…

“Come in, Captain,” Thrawn said, his quietly modulated voice cutting through Pellaeon’s thoughts. Eyes still closed to slits, he waved a hand in a small and precisely measured motion. “What do you think?”

“It’s … very interesting, sir,” was all Pellaeon could come up with as he walked over to the outer display circle.

“All holographic, of course,” Thrawn said, and Pellaeon thought he could hear a note of regret in the other’s voice. “The sculptures and flats both. Some of them are lost; many of the others are on planets now occupied by the Rebellion.”

“Yes, sir,” Pellaeon nodded. “I thought you’d want to know, Admiral, that the scouts have returned from the Obroa-skai system. The wing commander will be ready for debriefing in a few minutes.”

Thrawn nodded. “Were they able to tap into the central library system?”

“They got at least a partial dump,” Pellaeon told him. “I don’t know yet if they were able to complete it—apparently, there was some attempt at pursuit. The wing commander thinks he lost them, though.”

For a moment Thrawn was silent. “No,” he said. “No, I don’t believe he has. Particularly not if the pursuers were from the Rebellion.” Taking a deep breath, he straightened in his chair and, for the first time since Pellaeon had entered, opened his glowing red eyes.

Pellaeon returned the other’s gaze without flinching, feeling a small flicker of pride at the achievement. Many of the Emperors top commanders and courtiers had never learned to feel comfortable with those eyes. Or with Thrawn himself, for that matter. Which was probably why the Grand Admiral had spent so much of his career out in the Unknown Regions, working to bring those still-barbaric sections of the galaxy under Imperial control. His brilliant successes had won him the title of Warlord and the right to wear the white uniform of Grand Admiral—the only nonhuman ever granted that honor by the Emperor.

Ironically, it had also made him all the more indispensable to the frontier campaigns. Pellaeon had often wondered how the Battle of Endor would have ended if Thrawn, not Vader, had been commanding the Executor. “Yes, sir,” he said. “I’ve ordered the sentry line onto yellow alert. Shall we go to red?”

“Not yet,” Thrawn said. “We should still have a few minutes. Tell me, Captain, do you know anything about art?”

“Ah … not very much,” Pellaeon managed, thrown a little by the sudden change of subject. “I’ve never really had much time to devote to it.”

“You should make the time.” Thrawn gestured to a part of the inner display circle to his right. “Saffa paintings,” he identified them. “Circa 1550 to 2200,

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