Star Wars_ Tales From the Mos Eisley Cantina - Kevin J. Anderson [124]
—soup—
I turn instantly, seeking … proboscii quiver, extrude, withdraw reluctantly at my insistence. But they know it even as I know it: Somewhere in Chalmun’s cantina is the vessel I need.
It is a quick, decisive battle, a skirmish soon ended. With but a single stroke of the lightsaber, the Aqualish is—well, unarmed. One-armed, if you will.
The boy hangs back. I scent him again, wild and uncontrolled. But there is more here now, far more than expected, hovering at the edges, tantalizing me with its presence, with the repression of its power … and then I see the old man quietly putting away the lightsaber, and I realize what he is.
A Master despite his reticence, seeking no battles in word or deed; Master of what is, in such times, left wholly unspoken, lest the Emperor suspect. But I know what he is: Jedi. I could not but know. He is too disciplined, too well shielded against such intrusions as Anzati probing, and in that very shielding the truth, to me, is obvious.
I leave it its due: unspoken. I see no need to speak it. Let him be what he is; no one else will suspect. He is safe a while longer.
The boy has earned my study. If they have true business together it is information worth knowing. If the old man has taken a pupil there is indeed cause to fear—if you are part of the Empire, and recall the old ways.
If not, as I am not—save I recall the old days, the even older ways—it matters not at all. Unless you care to count the coin Jabba would pay, or others, including Darth Vader.
Including the Emperor.
Braggadocio. It is a staple of such places, the ritual boasting of entity to entity to save face, or to build face; to request a place in the world, or to make a place; an attempt to create of oneself something more than what one is.
There are those who are indeed more—as Anzat I am far more than anyone might suspect (or comfortably imagine)—but only rarely do they resort to braggadocio, because everyone else knows who they are and what they have done. To say anything at all is redundancy, which dilutes the deeds.
But even those most skilled, even those most notorious may well be pressed to resort to braggadocio in the implacable face of a Jedi Master dubious of those deeds. Such entities as the old man can reduce the strongest to crèche-born, and with little said or done.
The band has recovered itself, or is under pain of reduced payment if the musicians do not immediately resume playing. The music, less strident now, mutes all conversations but those closest to me, but I need not rely on words and tone for information. In braggadocio is often borne the scent of soup.
I exhale, feel proboscii quiver, turn slowly to take my measure of the cantina. The direction is easily gained, and as I mark it I cannot help but smile; the old man and his pupil have gone into one of the cubicles. It is not them I scent now, but those with whom they speak: a hulking Wookiee, and a humanoid male.
—soup—
It boils up quickly, powerfully, so quickly and so powerfully I cannot help but mark it. It leaves me breathless.
Not the old Jedi, who is disciplined, and shielded. Not the boy, who is young and unripe. Not the Wookiee, who is passive in all but loyalty. The humanoid. The Corellian.
Anzati are long-lived. Memory abides.
A curl of smoke winds its way from my pipe. Through the wreath of it I smile. He is wanted, as is the Wookiee, but all entities in Chalmun’s cantina are wanted somewhere. Even I am wanted, or would be; no one knows who or what I am, or what I am wanted for, and in that there is continuance.
I am careful in the hunt, always meticulous in those details others ignore, and too often die of; I require confirmation. I commit nothing until I am certain.
In this instance confirmation and certainty need little time and less patience. The Jedi and his pupil depart, but are immediately replaced by a Rodian. He is nervous. His soup is so insubstantial as to be nonexistent; he is servant, not served.
He is coward.