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State of Wonder - Ann Patchett [56]

By Root 748 0
when the house was dark and the overture rose up to their third-tier balcony she understood completely. Suddenly every insect in Manaus was forgotten. The chicken heads that cluttered the tables in the market place and the starving dogs that waited in the hopes that one might fall were forgotten. The children with fans that waved the flies away from the baskets of fish were forgotten even as she knew she was not supposed to forget the children. She longed to forget them. She managed to forget the smells, the traffic, the sticky pools of blood. The doors sealed them in with the music and sealed the world out and suddenly it was clear that building an opera house was a basic act of human survival. It kept them all from rotting in the unendurable heat. It saved their souls in ways those murdering Christian missionaries could never have envisioned. In these past few days of fever Marina had forgotten herself. The city was breaking her down along with the Lariam, her sense of failure, her nearly mad desire to be home in time to see the lilacs. But then the orchestra struck a note that brought her back to herself. Every pass of the cellists’ bows across the cellos’ strings scraped away a bit of her confusion, and the woodwinds returned her to strength. While she sat in the dark, Marina started to think that this opera house, and indeed this opera, were meant to save her. She knew the story of Orpheus, but it wasn’t until the singing began that she realized it was the story of her life. She was Orfeo, and there was no question that Anders was Euridice, dead from a snake bite. Marina had been sent to hell to bring him back. Had Karen been able to leave the boys, she would have been Orfeo. It was the role she had been born to play. But Karen was in Minnesota, and Marina’s mind was filled with Anders now, their seven years of friendship, the fifty hours a week they spent charting lipids, listening to the rise and fall of each other’s breath.

Barbara opened up her tiny purse and handed Marina a Kleenex. “Blot in a straight line beneath your eyes,” she whispered.

A woman sang the role of Orfeo in a baggy toga, her hair slicked back and caught beneath a crown of gilded leaves. She stood there center stage, a lyre in her arms to cover her breasts, and sang her sorrow to the chorus.

Jackie leaned across his wife. “Why is it a woman?” he whispered to Marina. Marina dabbed her nose and bent in to tell him that the alternative was to find a castrato for whom the part was originally written, but a hand reached between them and thumped Jackie on the shoulder with two hard taps.

“Quiet,” the woman’s voice said.

Marina and the two Bovenders straightened their spines as if the same small voltage had run up the carved chair legs and through the velvet seats. They began to turn, the three of them together, but the hand came back between Barbara and Marina and pointed to the stage. That was how they watched the rest of the opera, their eyes forward and their entire consciousness turned behind them to focus on Dr. Swenson.

Dr. Swenson! Back from the jungle and here at the opera with no announcement at all. And now they were made to wait, not to get out of their seats like reasonable people, step into the stairwell or go down to the lobby to begin the conversation that should have been started weeks ago. At first Marina had thought about how she would feel once she saw Dr. Swenson, but the longer she had stayed in Brazil the more she came to consider her chances of finding her to be hopeless. The scenarios she had run in her mind involved going home to tell Karen and Mr. Fox that she had failed. Euridice was behind Orfeo as they trudged the long road up from the underworld, Euridice constantly harping, complaining, her lovely soprano voice turned into a droning saw—Why won’t you look at me? Why don’t you love me? Dear God, even in her enormous beauty she was unbearable. Marina fixed her eyes forward and willed herself with everything in her not to turn around. She noticed that Jackie’s hand was no longer sandwiched between his wife’s thighs and

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