Stations of the Tide - Michael Swanwick [37]
The rain was so fine that the droplets seemed to hang in the air, muting and silvering a changed world. Sprays of translucent blue tubes arched over the street. Little violet mandolins sprouted from doorways, and the rooftops were hidden under delicate fantasy architectures of tan and rose and palest yellow latticework. Mushroom rain. The frothy structures were growing even as he watched.
Houses had mutated into nightmare castles caught midway in transition from stone to organic life. Like a crab, he scuttled by their swaying spires, brushing back dainty lace fans that crumbled at his touch. There was a warm orange glow in the street ahead of him, and he made for it.
The rectangle of light was the open back doorway to the New Born King’s van. He entered.
Mintouchian sat behind a small fold-down table. A circle of yellow light rested on its center, and within it danced a small metal woman.
Mintouchian’s fingers were studded with radio remotes. He wove his hands back and forth, warping and interpenetrating the fields. “Ah, it’s you. Couldn’t sleep, eh?” he said. “Me neither.” He nodded toward the woman. “Lovely little thing, isn’t she?”
Looking closer, the bureaucrat could see that the woman’s figure was made up of thousands of gold rings of varying sizes, so that the arms and legs and torso tapered naturally. Her head was smooth and featureless, but angled to suggest high cheekbones and a narrow chin. She wore a simple cloth poncho tied at the waist and long enough to suggest a dress. It flew up in the air when Mintouchian spun his hands.
“Yes.” The golden woman rippled her arms with impossible, thousand-jointed fluidity. “What are you doing?”
“Thinking.” Mintouchian stared blindly down into the light. “I loved a witch once, a long time ago. She—well, you don’t want to hear the story. Very much like yours. Very much. She was drowned when I … Well. There’s no such thing as a new story, is there? And who should know better than me?”
Without interrupting the dancer, he half-closed his eyes and leaned back against the wall. The wall was covered with puppets, bagged in plastic membranes and bound so tightly escape was unimaginable. It was a museum of puppetry. There were Mr. Punch and his wife, Judy, his cousin Pulchinello, moon-pale Pierrot, famed Harlequin and sweet Columbine, Tricky Dick, Till Eulenspiegel, Good Kosmonaut Minsk, all the ancient archetypes of roguery and heroism awaiting their next breath of borrowed life. “You realize that puppetry is the purest form of theater?”
“The simplest, you mean?”
“Simple! You give it a try, if you think it’s so simple! No, I mean the purest. Here I sit, the creator, and you there, the viewer. Our minds are distinct, they cannot touch. But there, between us, I place our little poppet.” The lady glided forward, swooned into a curtsy that swept the ground, drew up lightly as a leaf caught by the wind. “She exists partly in my mind, and partly in yours. For the instant they overlap.” His hands were dancing, and the metal figure with them. The bureaucrat’s attention shifted from one to the other, unable to focus entirely on either.
“Look,” Mintouchian marveled. The doll froze motionless. “She has no face, no sex. Yet look at this.” The puppet raised her head coquettishly, and glanced sidelong at the bureaucrat. Her body shifted weight on distinctly feminine hips. The bureaucrat looked up from her and saw Mintouchian staring intently into his eyes. “Do you know how television works? The screen is divided into horizontal lines, and the scanner draws a picture on the screen two lines at a time, skips two lines, then draws two more, down to the bottom. Then it goes back to the beginning and fills in those spaces it skipped the first time around. So that you don’t actually see the whole picture at any time. You assemble it within your mind. Holistic screens have been tried from time to time, but people didn’t take to them. They lacked the compulsive