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Stone Diaries, The - Carol Shields [54]

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just not very interested."

She recounted the intimate details of her honeymoon while sitting on the edge of Fraidy’s bed, pleating the pineapple crocheted bedspread between her fingers. (Poor Fraidy was down with a summer cold.) Daisy told her dear old trusted school friends everything—everything except the fact that she had sneezed just before Harold fell out the window, also that she had remained frozen on the bed for a minute or more afterward, her eyes staring at the ceiling, feeling herself already drifting toward the far end of this calamity.

These shared confidences at Fraidy Hoyt’s bedside rekindled their old laughter—which came slowly, at first, in a nervous pahpah, then a burst; concerned glances flew between Fraidy and Beans, but it was heavenly when it finally ran free, their wild girlish hooting. It lifted the heaviness right off Daisy’s heart—or rather her stomach, for it is here in her middle abdomen that she’s stored her shock and grief.

Grief? Grief for what? For Harold? Well, no. For her own bungling. For what she allowed. For the great story she let rise up and swamp her.

"My, God, that means you’re a gee-dee virgin," said the nolonger virginal Beans Greene, her eyes popped open, laughing.

"The only virgin in our midst," said Fraidy, who had recently "tried out" sexual intercourse with a well known Bloomington professor of Fine Arts, a married man old enough to be her father.

What a blessing Daisy doesn’t know that there are others in Bloomington who are acquainted with the state of her intact hymen, quite a few others: old Dr. Maldive, for one, who examined her after she returned to Bloomington. Shortly thereafter this same Dr. Maldive, in good conscience, communicated the curious fact of non-consummation to Daisy’s father, Cuyler Goodwill (it seemed the responsible thing to do, a man-to-man thing), and the good doctor had also, with a less good conscience, spoken of it to his wife Gladys who let the fact slip, framing it in the form of an eyebrow-lifting speculation, to her bridge club acquaintance, Mrs.

Arthur Hoad, who concluded, and announced her conclusion at every social opportunity Bloomington presented, that young Daisy Goodwill was an unnatural woman of profound frigidity, who had trapped and then frustrated the ardor of a healthy young man, her son, and perhaps had driven him to an act which must remain forever unarticulated.

All Daisy knows is that her mother-in-law treats her coldly.

They scarcely see each other. Never, in fact. Daisy has been encouraged to renounce claims on the Hoad estate, and this she has willingly done. She has no need for money. She is comfortable in her present circumstances; she is still reasonably young; and she is not particularly unhappy.

Back in the bad old days of the Great War, my Aunt Clarentine Flett saw her wholesale flower enterprise unexpectedly prosper. And now, in 1936, with the limestone industry in the doldrums and most of the old quarries shut down, the art of stone carving is thriving. It seems as though people in hard times need something decorative and pretty to ease the heaviness of life’s offerings. What a paradox it is, that in the midst of a worldwide economic depression, my father, Cuyler Goodwill, and his partners in Lapiscan Limited should be busier than ever. Prestigious contracts roll in day by day. The new Ohio State University Library. The giant war memorial in Little Rock, Arkansas. The frieze of the Grain Exchange in Chicago. You could go on and on.

Mr. Goodwill is forever complaining that there aren’t enough good carvers to be had. The old fellows are dying out, he says, and the youngsters are too impatient. Recently, Goodwill traveled all the way to Italy in search of new talent, and came home to Bloomington with three new craftsmen for Lapiscan and a new bride for himself.

Her name is Maria. What else would a young Neapolitan bride be called? But how young is she, exactly? No one knows for sure, and no one knows how this question can be posed. Twenty-eight is the age given on her immigration papers, but who trusts such

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