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Stone That the Builder Refused - Madison Smartt Bell [0]

By Root 2055 0
Table of Contents

Title Page

Dedication

Epigraph

Praise

Fort de Joux, France - October 1802

PREFACE

Part One - DEBAKMEN

Chapter 1

Chapter 2

Chapter 3

Chapter 4

Chapter 5

Chapter 6

Chapter 7

Chapter 8

Chapter 9

Chapter 10

Fort de Joux, France - October 1802

Part Two - RAVINE À COULEUVRE

Chapter 11

Chapter 12

Chapter 13

Chapter 14

Chapter 15

Chapter 16

Chapter 17

Chapter 18

Chapter 19

Chapter 20

Fort de Joux, France - November 1802

Part Three - LA CRÊTE À PIERROT

Chapter 21

Chapter 22

Chapter 23

Chapter 24

Chapter 25

Chapter 26

Chapter 27

Chapter 28

Chapter 29

Chapter 30

Fort de Joux, France - March 1803

Part Four - THE ROOTS OF THE TREE

Chapter 31

Chapter 32

Chapter 33

Chapter 34

Chapter 35

Chapter 36

Chapter 37

Chapter 38

Chapter 39

Chapter 40

Dessounen: Fort de Joux, France - April 1803

Weté Mò anba Dlo Haiti - April 1825

GLOSSARY

CHRONOLOGY OF HISTORICAL EVENTS

ORIGINAL LETTERS AND DOCUMENTS

Acknowledgments

About the Author

Also by Madison Smartt Bell

Copyright Page

Thanks to David Baker for patient, painstaking, and skillful work on these long and sometimes trilingual manuscripts.

Without Dan Frank, Jane Gelfman, Altie Karper, Suzanne Williams, and Sonny Mehta, I’d never have rolled this stone to the top of the hill.

To those who’ve helped me on my ways in and out of Haiti—Rolph Trouillot, Jean de la Fontaine, Gesner Pierre, Faubert Pierre, Lóló Beaubrun, Manzè Beaubrun, Guidel Présumé, Alex Roshuk, Handy Laporte, Robert Stone, Lyonel Trouillot, Michelle Karshan, Patrick Delatour, Eddy Lubin, Rachel Beauvoir, Nicolas Bussenius, Uriode Orelien, Abraham Joanis, Evelyne Trouillot, Rodney Saint Eloi, Georges Castera, Père Max Dominique, Père William Smarth, Marie-Claudette Edoissaint, Laetitia Schutt, Gerard Barthelmy, Richard Morse, Anne-Carinne Trouillot, Max Beauvoir, Bob Shacochis, Myrieme Millot-Colas, Ephèle Milcé, Tequila Minsky, Bob Corbett ak tout moun nan Corbettland, tout moun nan Morne Calvaire, tout moun nan Lakou Jisou—m’ap di gran mèsi.

To the spirit of Père Antoine Adrien, who put every day of his life on the line for Haiti’s history and Haiti’s future, benediksyon pou moun k’ap goumen pou la jistis.

The stone that the builder refused will always be the head cornerstone.

—Bob Marley

Praise for Madison Smartt Bell’s

The Stone That The Builder Refused

“Extraordinary. . . . Exhilarating. . . . Bell’s supple, exact prose . . . [has] hallucinatory force. . . . Almost every moment is full, like some great narrative painting, alive with the detail that puts you on the road or in the house where some murder or meeting is about to take place. . . . These books do what novels are meant to do: they propose their own vivid and inexorable history.”

—The New York Times Book Review

“A towering work. . . . Bell has emerged as one of the most brilliant, artistic and daring historical novelists of our time, creating a vividly imagined, nearly week-by-week fictionalization of the bloody birth of a nation, synthesizing and transforming an enormous amount of research into tales that are extraordinarily empathetic and rich in emotions that range from hatred, fury, terror and bloodlust to humor, joy, ecstasy and love. He has brought messianic Toussaint L’Ouverture—a courageous warrior, master strategist and heroic champion of human rights—to vital and poignant life as no one has ever done before. . . . In sum, Bell has created that rarest of works, a masterpiece.”

—Chicago Tribune

“Bell uses fiction to take us where history books cannot go—into the thoughts and fears of the revolutionaries and plantation owners and those in between who got caught up in the riots and bloodshed. . . . These three novels succeed in redefining American cultural history in powerful and profound ways.”

—San Francisco Chronicle

“Epic. . . . Heartbreaking. . . . Absorbing. . . . Strikingly rich detail. . . . Riveting and immensely satisfying. . . . A masterly piece of work.”

—Fort Worth Star-Telegram

“Astonishing. . . . Bell’s immersion in the world

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