Stories of John Cheever (1979 Pulitzer Prize), The - John Cheever [112]
"WELL, it looks as though it was trying to clear up, doesn't it?" Katie Shay said as she came out the door a few minutes later. She was carrying a paper bag full of grain. As soon as Katie crossed the street, the pigeons that roost on the Queensboro Bridge recognized her, but she did not raise her head to see them, a hundred of them, leave their roost and fly loosely in a circle, as if they were windborne. She heard the roar of their wings pass overhead and saw their shadows darken the puddles of water in the street, but she seemed unconscious of the birds. Her approach was firm and gentle, like that of a nursemaid with importunate children, and when the pigeons landed on the sidewalk and crowded up to her feet, she kept them waiting. Then she began to scatter the yellow grain, first to the old and the sick, at the edges of the flock, and then to the others.
A workman getting off a bus at the corner noticed the flock of birds and the old woman. He opened his lunch pail and dumped onto the sidewalk the crusts from his meal. Katie was at his side in a minute. "I'd rather you didn't feed them," she said sharply. "I'd just as soon you didn't feed them. You see, I live in that house over there, and I can keep an eye on them, and I see that they have everything they need. I give them fresh grain twice a day. Corn in the winter. It costs me nine dollars a month. I see that they have everything they need and I don't like to have strangers feed them." As she spoke, she kicked the stranger's crusts into the gutter. "I change their water twice a day, and in the winter I always see that the ice is broken on it. But I'd just as soon that strangers didn't feed them. I know you'll understand." She turned her back on the workman and dumped the last of the feed out of her bag. She was queer, Chester thought, she was as queer as the Chinese language. But who was queerer—she, for feeding the birds, or he, for watching her?
What Katie had said about the sky was true. The clouds were passing, and Chester noticed the light in the sky. The days were getting longer. The light seemed delayed. Chester went out from under the canopy to see it. He clasped his hands behind his back and stared outward and upward. He had been taught, as a child, to think of the clouds as disguising the City of God, and the low clouds still excited in him the curiosity of a child who thought that he was looking off to where the saints and the prophets lived. But it was more than the liturgical habits of thought that he retained from his pious childhood. The day had failed to have any meaning, and the sky seemed to promise a literal explanation.
Why had it failed? Why was it unrewarding? Why did Bronco and the Bestwicks and the Neguses and the grass widow in 7-F and Katie Shay and the stranger add up to nothing? Was it because the Bestwicks and the Neguses and Chester and Bronco had been unable to help one another; because the old maid had not let the stranger help her feed the birds? Was that it? Chester asked, looking at the blue air as if he expected an answer to be written in vapor. But the sky told him only that it was a long day at the end of winter, that it was late and time to go in.
THE CHILDREN
MR. HATHERLY had many old-fashioned tastes. He wore high yellow boots, dined at Lychow's in order to hear the music, and slept in a woolen nightshirt. His urge to establish in business a patriarchal liaison with some young man who would serve as his descendant, in the fullest sense of the word, was another of these old-fashioned tastes. Mr. Hatherly picked for his heir a young immigrant named Victor Mackenzie, who had made the crossing from England or Scotland—a winter crossing, I think—when he was sixteen or seventeen. The winter crossing is a guess. He may have worked his way or borrowed passage money or had some relation in this country to help him, but all this was kept in the dark, and his known