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By Root 14794 0

committee with the hope that idle curiosity about this edifice will induce a lot of people to buy the twenty-five-dollar tickets. Mrs. Brownlee, the nominal hostess, is the widow of a pioneer steel magnate. Her house is strung for half a mile along the spine of one of the Allegheny hills. Salisbury Hall is a castle, or, rather, a collection of parts of castles and houses. There is a tower, a battlement, and a dungeon, and the postern gate is a reproduction of the gate at Château Gaillard. The stones and timber for the Great Hall and the armory were brought from abroad. Like most houses of its kind, Salisbury Hall presents insuperable problems of maintenance. Touch a suit of chain mail in the armory and your hand comes away black with rust. The copy of a Mantegna fresco in the ballroom is horribly stained with water. But the party is a success. A hundred couples are dancing. The band is playing a rhumba. The Mackenzies are here.

Theresa is dancing. Her hair is still fair—it may be dyed by now—and her arms and her shoulders are still beautiful. The air of sadness, of delicacy, still clings to her. Victor is not on the dance floor. He is in the orangery, where watery drinks are being sold. He pays for four drinks, walks around the edge of the crowded dance floor, and goes through the armory, where a stranger stops to ask him a question. "Why, yes," Victor says courteously, "I do happen to know about it. It's a suit of mail that was made for the coronation of Philip II. Mr. Brownlee had it copied..." He continues along another quarter of a mile of halls and parlors, through the Great Hall, to a small parlor, where Mrs. Brownlee is sitting with some friends. "Here's Vic with our drinks!" she cries. Mrs. Brownlee is an old lady, plucked and painted and with her hair dyed an astonishing shade of pink. Her fingers and her forearms are loaded with rings and bracelets. Her diamond necklace is famous. So, indeed, are most of her jewels—most of them have names. There are the Taphir emeralds, the Bertolotti rubies, and the Demidoff pearls, and, feeling that a look at this miscellany should be included in the price of admission, she has loaded herself unsparingly for the benefit of the Girl Scouts. "Everybody's having a good time, aren't they, Vic?" she asks. "Well, they should be having a good time. My house has always been known for its atmosphere of hospitality as well as for its wealth of artistic treasures. Sit down, Vic," she says. "Sit down. Give yourself a little rest. I don't know what I'd do without you and Theresa." But Victor doesn't have time to sit down. He has to run the raffle. He goes back through the Great Hall, the Venetian Salon, and the armory, to the ballroom. He climbs onto a chair. There is a flourish of music. "Ladies and gentlemen!" he calls through a megaphone. "Ladies and gentlemen, can I have your attention for a few minutes..." He raffles off a case of Scotch, a case of bourbon, a Waring mixer, and a power lawn mower.

When the raffle is over and the dancing begins again, he goes out onto the terrace for a breath of air, and we follow him and speak to him there.

"Victor?"

"Oh, how nice to see you again," he exclaims. "What in the world are you doing in Pittsburgh?" His hair has grayed along conventionally handsome lines. He must have had some work done on his teeth, because his smile is whiter and more dazzling than ever. The talk is the conversation of acquaintances who have not met for ten or fifteen years—it has been that long—about this and that, then about Theresa, then about Violet. At the mention of Violet, he seems very sad. He sets the megaphone on the stone terrace and leans on its metal rim. He bows his head. "Well, Violet is sixteen now, you know," he says. "She's given me a lot to worry about. She was suspended from school about six weeks ago. Now I've got her into a new school in Connecticut. It took a lot of doing." He sniffs.

"How long have you been in Pittsburgh, Victor?"

"Eight years," he says. He swings the megaphone into the air and peers through it at a star. "Nine, actually," he